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Shadow of a Doubt is a 1943 American psychological thriller film directed by Alfred Hitchcock, and starring Teresa Wright and Joseph Cotten. Written by Thornton Wilder, Sally Benson, and Alma Reville, the film was nominated for an Academy Award for Best Story for Gordon McDonell. In 1991, the film was selected for preservation in the United States National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant".[3][4] The film was also Alfred Hitchcock's favorite of all of his films.[5]

Shadow of a Doubt
Theatrical release poster, Style C
Directed by	Alfred Hitchcock
Screenplay by	Thornton Wilder Sally Benson Alma Reville
Story by	Gordon McDonell
Produced by	Jack H. Skirball
Starring	Teresa Wright Joseph Cotten Macdonald Carey Patricia Collinge Henry Travers
Cinematography	Joseph A. Valentine
Edited by	Milton Carruth
Music by	Dimitri Tiomkin (original) Franz Lehár
Production company	Skirball Productions
Distributed by	Universal Pictures
Release date	January 12, 1943 (1943-01-12)
Running time	108 minutes[1]
Country	United States
Language	English
Box office	$1.2 million (U.S. rentals)[2]

Plot

Charles Oakley lives alone in a rooming house. One day, his landlady tells him that two men came looking for him; he sees the two men waiting on the street in front of his room, and he decides to leave town.

Charlotte "Charlie" Newton is a bored teenage girl living in the idyllic town of Santa Rosa, California. She receives wonderful news: Her mother's younger brother (her eponym), Charles Oakley, is arriving for a visit. Her uncle arrives, and at first, everyone is delighted with his visit, especially young Charlie. Uncle Charlie brings everyone presents. He gives his niece an emerald ring that has someone else's initials engraved inside. Charlie's father, Joseph Newton, works at a bank, and Uncle Charlie tells him he wants to open an account and deposit $40,000 ($0.6 million today) at his bank.

Two men appear at the Newton home, posing as interviewers working on a national survey. Uncle Charlie is upset and berates his sister for opening up her home to strangers. One of the men takes a photo of Uncle Charlie, who demands the film roll because he wants to avoid having his photo taken at any cost. The younger interviewer, Jack Graham, asks out young Charlie, and she guesses that he is really a detective. He explains that her uncle is one of two suspects who may be the "Merry Widow Murderer". Charlie refuses to believe it at first but then observes Uncle Charlie acting strangely, primarily with a news clipping from her father's newspaper that describes a murder. The initials engraved inside the ring he gave her match those of one of the murdered women, and during a family dinner, he reveals his hatred of rich widows.

One night, when Charlie's father and his friend Herbie discuss how to commit the perfect murder, Uncle Charlie lets his guard down and describes elderly widows as "fat, wheezing animals"; he then says, "What happens to animals when they get too fat and too old?" Horrified, Charlie runs out. Uncle Charlie follows and takes her into a seedy bar. He admits he is one of the two suspects. He begs her for help; she reluctantly agrees not to say anything, as long as he leaves soon to avoid a horrible confrontation that would destroy her mother, who idolizes her younger brother. Detective Fred Saunders, Jack Graham's older colleague, tells Charlie that the photo they took of Uncle Charlie was sent for identification by witnesses. News breaks that an alternative suspect was chased by police and killed by an airplane propeller; it is assumed that he was the murderer. Jack tells young Charlie that he loves her and would like to marry her, and leaves.

Uncle Charlie is delighted to be exonerated, but young Charlie knows all his secrets. Soon, she falls down dangerously steep stairs, which she later notices were cut through. Uncle Charlie says he wants to settle down, and young Charlie says she will kill him if he stays. Later that night, she is prodded by Uncle Charlie to get the car from the garage. The engine was left running, and the garage is full of exhaust fumes. She tries to turn the engine off, but the key is not in the ignition, and when she tries to leave, she finds the garage door jammed, and she is trapped in the garage. Mr. Newton's friend Herbie comes by and hears Charlie banging on the garage door and gets her out in time.

Uncle Charlie announces he is leaving for San Francisco, along with a rich widow, Mrs. Potter. At the train station, young Charlie boards the train with her younger sister Ann and their brother to see Uncle Charlie's compartment. Uncle Charlie restrains his niece Charlie on the train as the children disembark, hoping to kill her by shoving her out after it picks up speed. However, in the ensuing struggle, he falls in front of an oncoming train. At his funeral, Uncle Charlie is honored by the townspeople. Jack has returned, and Charlie confesses that she withheld crucial information. They resolve to keep Uncle Charlie's crimes a secret.

Cast

• Teresa Wright as Charlotte "Charlie" Newton, a precocious teenager who initially idolizes her loving uncle.
• Joseph Cotten as Charles "Uncle Charlie" Oakley
• Macdonald Carey as Detective Jack Graham
• Henry Travers as Joseph Newton, Young Charlie's father, who loves to read crime stories.
• Patricia Collinge as Emma Newton, Young Charlie's mother and Uncle Charlie's sister.
• Wallace Ford as Detective Fred Saunders
• Hume Cronyn as Herbie Hawkins, a neighbor and crime fiction buff. He discusses ideas for the perfect murder with Charlie's father.
• Edna May Wonacott as Ann Newton
• Charles Bates as Roger Newton
• Irving Bacon as Station Master
• Clarence Muse as Pullman Porter
• Janet Shaw as Louise Finch
• Estelle Jewell as Catherine

Uncredited cast

• Edward Fielding as Doctor Harry[6]
• Sarah Edwards as Mrs. Harry^{[citation needed]}
• Constance Purdy as Mrs. Martin, Uncle Charlie's landlady^{[citation needed]}
• Shirley Mills as Shirley, a friend of Young Charlie's^{[citation needed]}
• Minerva Urecal as Mrs. Henderson, the Santa Rosa postmistress^{[citation needed]}
• Edwin Stanley as Mr. Green, Joseph's manager at the bank^{[citation needed]}
• Isabel Randolph as Mrs. Margaret Green, his wife, a friend of Mrs Potter^{[citation needed]}
• Frances Carson as Mrs. Potter, a friend of Mrs. Green's and Uncle Charlie's potential victim^{[citation needed]}
• Earle S. Dewey as Mr. Norton, a local traffic cop^{[citation needed]}
• Eily Malyon as Mrs. Cochran, the local librarian^{[citation needed]}

Hitchcock's cameo

Alfred Hitchcock appears about 16 minutes into the film, on the train to Santa Rosa, playing bridge with Doctor and Mrs. Harry. Charlie is traveling on the train under the assumed name of Otis, and is lying down due to a migraine. Mrs. Harry is eager to help him, but her husband is not interested and keeps playing bridge. Doctor Harry replies to Hitchcock that he doesn't look well while Hitchcock is holding a full suit of spades, the best hand for bridge.

Production

The project began when the head of David Selznick's story department, Margaret McDonell, told Hitchcock that her husband Gordon had an interesting idea for a novel that she thought would make a good movie. His idea, called "Uncle Charlie", was based on the true story of Earle Nelson, a serial killer of the late 1920s known as "the Gorilla Man".

Shadow of a Doubt was both filmed and set in Santa Rosa, California, which was portrayed as a paragon of a supposedly peaceful, small, pre-War American city. Since Thornton Wilder wrote the original script, the story is set in a small American town, a popular setting of Wilder's, but with an added Hitchcock touch to it. In Patrick McGilligan's biography of Hitchcock, he said the film was perhaps the most American film that Hitchcock had made up to that time.

The opening scenes take place in the East Ward (aka the "Ironbound"/"Down Neck" section of Newark, New Jersey). The city skyline and landmarks such as the Pulaski Skyway are featured in the opening shot. The location shots were used to comply with the wartime War Production Board restrictions of a maximum cost of $5,000 for set construction.[7]

The Newton family home is located at 904 McDonald Avenue in Santa Rosa, which is still standing. The stone railway station in the film was built in 1904 for the Northwestern Pacific Railroad and is one of the few commercial buildings in central Santa Rosa to survive the earthquake of April 18, 1906. The station is currently a visitor center. The library was a Carnegie Library which was demolished in 1964 due to seismic concerns.[8] Some of the buildings in the center of Santa Rosa that are seen in the film were damaged or destroyed by earthquakes in 1969; much of the area was cleared of debris and largely rebuilt.

The film was scored by Dimitri Tiomkin, his first collaboration with Hitchcock (the others being Strangers on a Train, I Confess and Dial M for Murder). In his score, Tiomkin quotes the Merry Widow Waltz of Franz Lehár, often in somewhat distorted forms, as a leitmotif for Uncle Charlie and his serial murders. During the opening credits, the waltz theme is heard along with a prolonged shot of couples dancing.

Reception

Upon release, the film received unanimously positive reviews. Bosley Crowther, critic for The New York Times, loved the film, stating that "Hitchcock could raise more goose pimples to the square inch of a customer's flesh than any other director in Hollywood".[9] Time Magazine called the film "superb",[9] while Variety stated that "Hitchcock deftly etches his small-town characters and homey surroundings".[9] The entertainment trade paper The Film Daily was yet another reviewer in 1943 that praised every aspect of the production. The publication predicted big “box office” for theaters presenting Hitchcock's latest work, although in its detailed review of Shadow of a Doubt the paper does mistakenly refer to the director's 1941 film Suspicion as "'Suspense'":

Of all the startling feature films directed by Alfred Hitchcock—superman of suspense and wizard of mystery—this one is geared most highly to thrill American audiences and to pour coin into the coffers of U.S. theaters....There are no red herrings yanked across the trail in this attraction, as was the case in his recent hit, "Suspense". The story moves inflexibly toward an ending which the onlooker more or less clearly expects, but which elicits the periodic hope that the worst fears of Teresa Wright will not be realized. ...Production values under Jack H. Skirball are first-rate, as is Joseph Valentine’s photography. There isn’t a shadow of a doubt about this picture’s success.[10]

In a 1964 interview on Telescope with host Fletcher Markle, Markle noted, "Mr. Hitchcock, most critics have always considered Shadow of a Doubt, which you made in 1943, as your finest film." Hitchcock replied immediately, "Me too." Markle then asked, "That is your opinion of it still?" Hitchcock replied, "Oh, no question." At the time, Hitchcock's most recent work was Marnie. When later interviewed by François Truffaut, Hitchcock denied the suggestion that Shadow of a Doubt was his "favourite".[11] But in the audio interview with Truffaut, Hitchcock confirmed it was his favourite film, and later reiterated that Shadow of a Doubt was his favorite film in his interview with Mike Douglas in 1969 and in his interview with Dick Cavett in 1972. Alfred Hitchcock's daughter Pat Hitchcock also said that her father's favorite film was Shadow of a Doubt in Laurent Bouzereau’s 2000 documentary Beyond Doubt: The Making of Hitchcock's Favorite Film.

Today, the film is still regarded as a major work of Hitchcock's. Contemporary critic Dave Kehr called it Hitchcock's "first indisputable masterpiece."[12] In 2005 film critic David Denby of The New Yorker called it Hitchcock's most "intimate and heart-wrenching" film.[13] Based on 48 reviews on the website Rotten Tomatoes, the film has received a 100% approval rating, with a weighted average of 9.20/10. The site's consensus reads: "Alfred Hitchcock's earliest classic — and his own personal favorite — deals its flesh-crawling thrills as deftly as its finely shaded characters".[9] On Metacritic it has a score of 94 out of 100, based on reviews from 15 critics, indicating "universal acclaim".[14] When asked by critics as to an overarching theme for the film Hitchcock responded: "Love and good order is no defense against evil". In his book Bambi vs. Godzilla, David Mamet calls it Hitchcock's finest film.[15] In his 2011 review of the film, film critic Roger Ebert gave the film four stars out of four and included it in his Great Movies list.[16] In 2022, Time Out magazine ranked the film at No. 41 on their list of "The 100 best thriller films of all time".[17]

Adaptations and remakes

Radio

The film was adapted for Cecil B. DeMille's Lux Radio Theater aired on January 3, 1944 with its original leading actress Teresa Wright and William Powell as Uncle Charlie (Patrick McGilligan said Hitchcock had originally wanted Powell to play Uncle Charlie, but MGM refused to lend the actor for the film). In 1950, Shadow of a Doubt was featured as a radio-play on Screen Directors Playhouse. It starred Cary Grant as Uncle Charlie and Betsy Drake as the young Charlie.[18] It was also adapted to the Ford Theater (February 18, 1949). The Screen Guild Theater adapted the film twice with Joseph Cotten, the first with Vanessa Brown as young Charlie, and the second with Deanna Durbin in the role. The Academy Award Theater production of Shadow of a Doubt was aired on September 11, 1946.[19]

Film

This section does not cite any sources. (August 2021)

The film has been remade twice: in 1958 as Step Down to Terror, and again (under the original title) as a 1991 TV movie in which Mark Harmon portrayed Uncle Charlie.

Shadow of a Doubt served as the inspiration for Park Chan-wook's 2013 film Stoker.

See also

• List of films with a 100% rating on Rotten Tomatoes, a film review aggregator website

References

External links

• Shadow of a Doubt essay by Thomas Leitch at National Film Registry
• Shadow of a Doubt at IMDb 
• Shadow of a Doubt at AllMovie
• Shadow of a Doubt at the TCM Movie Database
• Shadow of a Doubt at the American Film Institute Catalog
• Shadow of a Doubt at Rotten Tomatoes
• Shadow of a Doubt at Box Office Mojo
• Shadow of a Doubt essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 360-361

Streaming audio

• Shadow of a Doubt on Screen Guild Theater: May 24, 1943
• Shadow of a Doubt on Lux Radio Theater: January 3, 1944

На других языках

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[de] Im Schatten des Zweifels

Im Schatten des Zweifels ist ein US-amerikanischer psychologischer Thriller von Alfred Hitchcock aus dem Jahr 1943. Der Film mit Teresa Wright und Joseph Cotten, mit einem Drehbuch des Pulitzer-Preisträgers Thornton Wilder, Sally Bensons und Hitchcocks Ehefrau Alma Reville, basierend auf einer Oscar nominierten Geschichte von Gordon McDonell, handelt von einer jungen Frau, die erkennen muss, dass es sich bei ihrem geliebten Onkel wahrscheinlich um den sogenannten Lustige-Witwen-Mörder handelt.

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- [en] Shadow of a Doubt

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[ru] Тень сомнения

«Тень сомнения» (англ. Shadow of a Doubt) — психологический триллер режиссёра Альфреда Хичкока (1943) с Джозефом Коттеном и Терезой Райт в главных ролях. Основан на реальной истории серийного душителя 1920-х годов Эрла Леонарда Нельсона. Имеет репутацию «первого бесспорного шедевра» Хичкока[2] и фильма, в котором английский режиссёр «впервые открыл для себя Америку»[3].

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