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Slick Hare is a 1947 Merrie Melodies cartoon, directed by Friz Freleng.[1] The film was released on November 1, 1947, and features Bugs Bunny and Elmer Fudd.[2] It parodies the Mocambo nightclub in Los Angelesin the cartoon referred to as "The Mocrumbo". Mel Blanc voices Bugs, Arthur Q. Bryan voices Elmer Fudd, impressionist Dave Barry portrays Humphrey Bogart, and Carmen Miranda voices herself. The title is a pun on "hair", from an era when hair slicked down by oil was a popular fashion style for men.

Slick Hare
Directed byI. Freleng
Story byTedd Pierce
Michael Maltese
Produced byEdward Selzer (uncredited)
StarringMel Blanc
Arthur Q. Bryan (uncredited)
Dave Barry (uncredited)
Carmen Miranda (uncredited)
Music byCarl Stalling
Animation byVirgil Ross
Gerry Chiniquy
Manuel Perez
Ken Champin
Layouts byHawley Pratt
Backgrounds byPaul Julian
Color processTechnicolor
Production
company
Warner Bros. Cartoons
Distributed byWarner Bros. Pictures
The Vitaphone Corporation
Release date
November 1, 1947 (USA)
Running time
7:43
LanguageEnglish

Plot


The cartoon opens with various shots of 1940s celebrities dining and drinking at the Mocrumbo clubincluding such personalities as Gregory Peck using a straight razor to cut his steak (in reference to his character in Hitchcock's Spellbound),[3] Ray Milland (in a spoof of The Lost Weekend) pays for his drink with a typewriter and receives miniature typewriters as change; and Frank Sinatra, depicted exaggeratedly thin, so much so that he slips into his straw when trying to take a sip from his drink. Elmer Fudd is a waiter at the Mocrumbo and comes out to find that his next customer is Humphrey Bogart.

Bogart tells Elmer that he wants fried rabbit. Elmer explains that the restaurant has run out of rabbits, but Bogart brandishes a tommy gun and warns Elmer he wants fried rabbit "within 20 minutes – or else!". During Elmer's frantic search for a rabbit, he hears the sound of somebody munching on carrots in a corner of the kitchen and discovers Bugs Bunny in a crate of carrots. Elmer informs Bugs that Bogart wants to "have" him for dinner. Bugs mistakes the concept for an invitation and immediately appears in fancy dress and asks to see what is cooking. Elmer quickly puts a hand mirror into a pot and Bugs, seeing his reflection, realizes that he himself is to be the main course.

Bugs escapes the kitchen into the dining room, where he is seated at a table dressed like Groucho Marx in an attempt to fool Elmer. Elmer then appears next to Bugs, dressed as Harpo Marx. Bugs tries to run away, but he bounces off the large stomach of Sydney Greenstreet. He runs into Carmen Miranda's dressing room and hides in her tutti-frutti hat. Carmen walks to the stage and performs Sambaiana. As she exits, Elmer chases Bugs back onto the stage. Elmer, seeing the audience, quickly runs offstage, leaving Bugs to dance to the orchestra's samba rhythms. Elmer is seen next to the band sharpening his meat cleaver to the rhythm during the performance.

Bugs then makes his way back to the kitchen, where he revels in the audience's appreciation of his performance by saying "Ah, my public! How they love me! A-huh-huh!" (the little laugh being a Jack Benny shtick). Elmer, holding a meat cleaver, rushes towards Bugs, and Bugs immediately dresses as a mustachioed waiter, orders pies and twice splatters Elmer in the face. The third time (a comic triple), when Bugs orders a coconut custard pie with whipped cream, Elmer finally realizes that the waiter just might be Bugs. After producing the pie, Elmer throws it at Bugs, but Bugs ducks and the pie sails out into the dining room, hitting Bogart in the face. Bogart walks into the kitchen, grabs Elmer by his shirt, and asks him why he hit him in the face with a pie. Bogart then warns Elmer that he has just five minutes to prepare his fried rabbit.

Elmer searches frantically, but cannot find a rabbit in time. Bogart returns, and sticks his hand in his jacket menacingly. Elmer cowers, thinking Bogart is about to shoot him, but Bogart only pulls out a handkerchief to dab his forehead as he says resignedly "Baby will just have to have a ham sandwich instead." Upon hearing "Baby", Bugs jumps out of his hiding place and takes his place on a platter as the main course (Lauren Bacall being "Baby") noting "Remember, garçon, the customer is always right! If it's rabbit Baby wants, rabbit Baby gets!" before howling and wolf whistling at Bacall.


Production


Background artist Paul Julian visited the kitchen at the Mocambo, and based this cartoon's kitchen backgrounds on the unhygienic things he observed, later commenting in an interview: "I was so bloody revolted by it that I came back and made a documentary out of it!"[4]


Reception


Cartoon voice actor Keith Scott writes, "One of the last of Warner Bros.' topical caricature cartoons, Slick Hare is much more accessible to a modern audience than some other entries in the movie-star parody genre. This is because Bugs Bunny and Elmer Fudd carry the comedy. With these two strong personalities in the foreground, the throwaway movie-star gags are more like the icing on a cake."[5]


Cast



Home media



See also



References


  1. Beck, Jerry; Friedwald, Will (1989). Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. Henry Holt and Co. p. 179. ISBN 0-8050-0894-2.
  2. Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 60–61. ISBN 0-8160-3831-7. Retrieved 6 June 2020.
  3. "Spellbound". Library of Congress. 1949.
  4. Michael Barrier. "Slick Hare" on Looney Tunes Golden Collection: Volume 2 (Region 2 DVD release) (DVD commentary). Event occurs at 5m41s. Paul Julian actually did research for the backgrounds of this cartoon by going to the kitchens of the real Mocambo and reproducing in the film some of what he saw there, which evidently ruffled some feathers as Paul explains in this interview with my colleague Milton Gray: "... I went and looked at the back kitchen at the Mocambo, and I almost got my ass in a sling because in the film I reported what I saw! Fingerprints and disgusting puddles oozing out from under crates of food stacked in the corner... greasy fingerprints, all kinds of... just unbearable! I was so bloody revolted by it that I came back and made a documentary out of it!"
  5. Beck, Jerry, ed. (2020). The 100 Greatest Looney Tunes Cartoons. Insight Editions. p. 172. ISBN 978-1-64722-137-9.


Preceded by Bugs Bunny Cartoons
1947
Succeeded by



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