fiction.wikisort.org - Movie

The Birdcage is a 1996 American comedy film directed by Mike Nichols, adapted by Elaine May, and starring Robin Williams, Gene Hackman, Nathan Lane, and Dianne Wiest. Dan Futterman, Calista Flockhart, Hank Azaria, and Christine Baranski appear in supporting roles. It is an English-language remake of the 1978 Franco-Italian film La Cage aux Folles and the musical of the same name.

The Birdcage
Theatrical release poster
Directed by	Mike Nichols
Screenplay by	Elaine May
Based on	La Cage aux Folles by Jean Poiret
Produced by	Mike Nichols
Starring	Robin Williams Gene Hackman Nathan Lane Dianne Wiest
Cinematography	Emmanuel Lubezki
Edited by	Arthur Schmidt
Music by	Jonathan Tunick
Production companies	United Artists Nichols Film Company
Distributed by	MGM/UA Distribution Co.
Release date	March 8, 1996 (1996-03-08)
Running time	117 minutes
Country	United States
Language	English
Budget	$31 million[1]
Box office	$185.3 million[2]

Plot

Armand Goldman is the openly gay owner of a drag club in South Beach called The Birdcage; his life partner Albert, an effeminate and flamboyant man, plays Starina, the star attraction of the club. They live together in an apartment above The Birdcage with Agador, their openly gay flamboyant Guatemalan housekeeper who aspires to be in Armand's drag show.

One day, Armand's son Val, who resulted from Armand's drunken one-night stand with a woman named Katharine, comes home to announce that he has been seeing a young woman named Barbara whom he intends to marry. Although unhappy about the news, Armand agrees to support Val. Unfortunately, Barbara's parents are the ultra-conservative Republican Senator Kevin Keeley and his wife Louise.

Kevin, co-founder of a conservative group called the Coalition for Moral Order, becomes embroiled in a political scandal when the group's co-founder and Kevin's fellow senator is found dead in the bed of an underage black prostitute. Louise and Barbara convince Kevin that a visit to meet the family of his daughter's fiancé would be the perfect way to stave off bad press, so they set out for South Beach.

Barbara shares news of her father's plan to Val; to cover the Goldmans' truth, she has told her parents that Armand is straight and a cultural attaché to Greece. Armand dislikes the idea of being forced into the closet, but agrees to play along, enlisting the help of friends and club employees to redecorate the family's apartment to more closely resemble a traditional household. Val and Armand attempt to get Albert out of the house, but when they fail, Albert suggests that he will pose as Val's straight uncle. Armand contacts Katharine and explains the situation; she promises to come to the party and pretend to be his wife. Armand then tries to coach Albert on how to be straight, but Albert's flamboyant nature makes the task difficult. When Albert realizes his plan will not fool anyone, he takes offense and locks himself in his room.

The Keeleys arrive at the Goldmans' (who are calling themselves "Coleman" for the evening to hide their Jewish heritage) redecorated apartment; they are greeted by Agador, who is attempting to pass as a Greek butler named Spartacus for the night. Unfortunately, Katharine gets caught in traffic, and the Keeleys begin wondering where "Mrs. Coleman" is. Suddenly, Albert enters, dressed and styled as a conservative middle-aged woman. Armand, Val, and Barbara are nervous, but Kevin and Louise are taken in by the disguise.

Despite the success of the evening, trouble begins when the senator's chauffeur betrays him to two tabloid journalists, Harry Radman and his photographer, who have been hoping for a scoop on the Coalition story and who have followed the Keeleys to South Beach. While they research The Birdcage, they also remove a note that Armand has left on the door informing Katharine not to come upstairs. When she arrives, she unknowingly reveals the deceptions, leading Val to confess to the scheme and finally identify Albert as his true parent.

Kevin is initially confused by the situation, but Louise informs him of the truth and scolds him for being more concerned with his career than his family's happiness. When attempting to leave, he is ambushed by the paparazzi camped outside to take his picture. Albert then realizes that there is a way for the family to escape without being recognized. He dresses them in drag and they use the apartment's back entrance to sneak into The Birdcage where, by dancing to "We Are Family," they make their way out of the nightclub without incident. Barbara and Val are married in an interfaith service that both families attend.

Cast

• Robin Williams as Armand Goldman
• Gene Hackman as Senator Kevin Keeley
• Nathan Lane as Albert Goldman
• Dianne Wiest as Louise Keeley
• Dan Futterman as Val Goldman
• Calista Flockhart as Barbara Keeley
• Hank Azaria as Agador Spartacus
• Christine Baranski as Katharine Archer, Val's mother
• Tom McGowan as Harry Radman
• Grant Heslov as National Enquirer photographer

Soundtrack

Three songs written by Stephen Sondheim were adapted and arranged for the film by composer Jonathan Tunick. Albert's first song (as Starina) is "Can That Boy Foxtrot," cut from Sondheim's Follies. "Little Dream" was written specifically for the film, ultimately used during Albert's rehearsal with the gum-chewing dancer.[3] While Armand and Katharine dance in her office, they sing "Love Is in the Air", cut from A Funny Thing Happened on the Way to the Forum.[4] In addition to the Sondheim songs, Tunick utilized dance-style music such as Donna Summer's "She Works Hard for the Money" and "We Are Family," along with Gloria Estefan and Miami Sound Machine's "Conga."

Reception

The film opened on March 8, 1996, and grossed $18,275,828 in its opening weekend, topping the box office.[5] It remained at No. 1 for the next three weeks before being derailed by the openings of Primal Fear and A Thin Line Between Love and Hate. By the end of its 14-week run, the film had grossed $124,060,553 domestically and $61,200,000 internationally, eventually reaching a total of US$185,260,553 worldwide.[2]

The film received positive reviews upon its release. On the review aggregation website Rotten Tomatoes, the film holds an 82% approval rating based on reviews from 55 critics. The site's critical consensus reads, "Mike Nichols wrangles agreeably amusing performances from Robin Williams and Nathan Lane in this fun, if not quite essential, remake of the French-Italian comedy La Cage aux Folles."[6] On Metacritic the film has a score of 72/100 based on reviews from 18 critics, indicating "generally favorable reviews."[7]

James Berardinelli wrote in ReelViews, "The film is so boisterously entertaining that it's easy for the unsuspecting viewer not to realize that there's a message here."[8] Desson Thomson of The Washington Post described the film as "A spirited remake of the French drag farce [that] has everything in place, from eyeliner to one-liner."[9] Owen Gleiberman of Entertainment Weekly called the film "Enchantingly witty."[10] Janet Maslin of The New York Times gave the film a positive review, especially praising Robin Williams' performance: "...this is one of his most cohesive and least antic performances. It's also a mischievously funny one: He does a fine job of integrating gag lines with semi-serious acting..."[11]

The Gay & Lesbian Alliance Against Defamation (GLAAD) praised the film for "going beyond the stereotypes to see the characters' depth and humanity. The film celebrates differences and points out the outrageousness of hiding those differences."[12] The film was also nominated for a GLAAD Media Award.[13]

Accolades

Association	Ceremony Date	Category	Recipient	Results
20/20 Awards	2017	Best Costume Design	Ann Roth	Nominated
		Best Art Direction	Bo Welch	Nominated
Academy Awards	March 24, 1997	Best Art Direction	Bo Welch Cheryl Caraski	Nominated
American Comedy Awards	1997	Funniest Lead Actor in a Motion Picture	Nathan Lane	Won
		Funniest Supporting Actor in a Motion Picture	Hank Azaria	Nominated
		Funniest Supporting Actress in a Motion Picture	Dianne Wiest	Won
		Funniest Supporting Actress in a Motion Picture	Christine Baranski	Nominated
Art Directors Guild Awards	1997	Feature Film	Bo Welch Tom Duffield John Dexter	Nominated
Awards Circuit Community Awards	1997	Best Adapted Screenplay	Francis Veber Edouard Molinaro Marcello Danon Jean Poiret Elaine May	Nominated
		Best Art Direction	Bo Welch Cheryl Carasik	Nominated
		Honorable Mentions	Mike Nichols	Nominated
Blockbuster Entertainment Awards	1997	Favorite Supporting Actor – Comedy	Gene Hackman	Won
		Favorite Supporting Actress – Comedy	Dianne Wiest	Won
Casting Society of America Awards	1997	Best Casting for Feature Film, Comedy	Juliet Taylor Ellen Lewis	Nominated
Chicago Film Critics Association Awards	1997	Best Supporting Actor	Nathan Lane	Nominated
Cinema Audio Society Awards	1997	Outstanding Achievement in Sound Mixing for Feature Films	Lee Dichter Gene S. Cantamessa	Nominated
GLAAD Media Awards	1997	Outstanding Film – Wide Release	—	Nominated
Golden Globe Awards	January 19, 1997	Best Motion Picture – Comedy or Musical	—	Nominated
		Best Actor in a Motion Picture – Comedy or Musical	Nathan Lane	Nominated
International Monitor Awards	1997	Theatrical Releases – Color Correction	David Bernstein	Won
MTV Movie + TV Awards	June 10, 1997	Best Comedic Performance	Robin Williams	Nominated
		Best On-Screen Duo	Robin Williams Nathan Lane	Nominated
Online Film & Television Association Awards	1997	Best Motion Picture – Comedy/Musical	Mike Nichols	Nominated
		Best Actor in a Comedy/Musical	Nathan Lane	Nominated
		Best Supporting Actor in a Comedy/Musical	Hank Azaria	Nominated
Satellite Awards	January 15, 1997	Best Actor in a Motion Picture – Comedy or Musical	Nathan Lane	Nominated
		Best Supporting Actor in a Motion Picture – Comedy or Musical	Gene Hackman	Nominated
Screen Actors Guild Awards	February 22, 1997	Outstanding Performance by a Male Actor in a Supporting Role	Nathan Lane	Nominated
		Outstanding Performance by a Male Actor in a Supporting Role	Hank Azaria	Nominated
		Outstanding Performance by a Cast in a Motion Picture	Hank Azaria Christine Baranski Dan Futterman Gene Hackman Nathan Lane Robin Williams Dianne Wiest	Won
Writers Guild of America Awards	March 16, 1997	Best Screenplay Based on Material Previously Produced or Published	Elaine May	Nominated

See also

• Cross-dressing in film and television
• List of lesbian, gay, bisexual, or transgender-related films by storyline

References

External links

• The Birdcage at IMDb
• The Birdcage at AllMovie
• The Birdcage at Box Office Mojo
• The Birdcage at Rotten Tomatoes
• The Birdcage at Metacritic

На других языках

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[de] The Birdcage – Ein Paradies für schrille Vögel

The Birdcage – Ein Paradies für schrille Vögel (Originaltitel: The Birdcage) ist eine US-amerikanische Komödie aus dem Jahr 1996. Der Regisseur war Mike Nichols, die Hauptrollen spielten Robin Williams, Gene Hackman und Nathan Lane.

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- [en] The Birdcage

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[it] Piume di struzzo

Piume di struzzo (The Birdcage) è un film del 1996 diretto da Mike Nichols, tratto dall'opera teatrale La cage aux folles di Jean Poiret e remake del celebre film Il vizietto (1978) di Édouard Molinaro.

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[ru] Клетка для пташек

«Клетка для пташек» (англ. The Birdcage) — американский комедийный фильм режиссёра Майка Николса по сценарию Элейн Мэй, являющийся ремейком французской комедии «Клетка для чудаков» (1978). Главные роли исполняют в картине Робин Уильямс, Нейтан Лейн, Джин Хэкмен, Дайан Уист, Дэн Футтерман, Калиста Флокхарт, Хэнк Азариа и Кристин Барански.

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