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The Ghost Breakers is a 1940 American mystery/horror comedy film directed by George Marshall and starring Bob Hope and Paulette Goddard. It was adapted by screenwriter Walter DeLeon as the third film version of the 1909 play The Ghost Breaker by Paul Dickey and Charles W. Goddard.[2]

The Ghost Breakers
Directed by	George Marshall
Screenplay by	Walter DeLeon
Based on	The Ghost Breaker (1909 play) by Paul Dickey and Charles W. Goddard
Produced by	Arthur Hornblow Jr.
Starring	Bob Hope Paulette Goddard Willie Best Richard Carlson Paul Lukas Anthony Quinn
Cinematography	Charles Lang
Edited by	Ellsworth Hoagland
Music by	Ernst Toch
Distributed by	Paramount Pictures
Release dates	June 7, 1940 (1940-06-07) (Detroit)[1] June 21, 1940 (1940-06-21) (USA)
Running time	83 minutes
Country	United States
Language	English

Along with the Abbott and Costello films Hold That Ghost and Abbott and Costello Meet Frankenstein and Hope and Goddard's own The Cat and the Canary, it is cited as a prime example of the classic Hollywood horror-comedy.[2][3]

Plot

The film opens in 1940 Manhattan during a violent evening thunderstorm. From a radio network's studio, broadcaster Larry Lawrence exposes the crimes of underworld boss Frenchy Duval. In her hotel suite, while listening to Lawrence on the radio, Mary Carter is visited by Mr. Parada, a sinister Cuban solicitor. He delivers her the deed to her inheritance—a plantation and mansion in Cuba. Despite Parada's objections, Mary decides to travel there by ship to inspect the property. Not even a phone call from the mysterious Mr. Mederos can convince her to stay put. Cut to the radio station, where Larry Lawrence has finished his broadcast. He receives a phone call from Frenchy Duval, who invites Larry to his hotel. Coincidentally, Frenchy lives on the same floor in the same hotel as Mary. When Larry arrives, a bullet-ridden comedy of errors ensues. Looking for cover, Larry ducks into Mary's suite, where he takes refuge in her large open trunk. Unaware of Larry's presence, Mary locks the trunk and arranges for its transport to the harbor.

Later at the dock, Larry's valet Alex searches among the luggage bound for loading and finds Larry among them. Although not in time to prevent the trunk's transfer to the ship's hold, Alex manages to get on board in order to extricate his employer before the ship sails. During the trip, Larry and Mary strike up a flirtation. Later, they meet an acquaintance of Mary's, Geoff Montgomery, a young intellectual who regales them with tales of Caribbean superstitions, particularly voodoo, ghosts, and zombies. Upon reaching Havana, Mary, Larry, and Alex go to the small island locale of her new estate. En route they find a shack occupied by an old woman and her catatonic son, whom they believe is a zombie. The imposing plantation manor proves to be a spooky edifice indeed. They begin to explore the long-abandoned, cobweb-ridden mansion and discover a large portrait of a woman who is nearly an exact likeness of Mary—most certainly an ancestor. Soon they are terrorized by the appearance of a ghost and the reappearance of the zombie. Are these real, or are they a ruse to frighten Mary away from her inheritance?

Cast

Various versions

The Dickey and Goddard play The Ghost Breaker was filmed twice previously by Paramount, first in 1914 by Cecil B. DeMille, with stars H. B. Warner and Rita Stanwood. It was filmed again in 1922 by director Alfred E. Green, starring Wallace Reid and Lila Lee.[2] Both these silent film versions are now considered to be lost films.[4]

The film was adapted for radio on Screen Directors Playhouse on April 4, 1949. Bob Hope re-created his film role, and Shirley Mitchell starred as Mary. Hope appeared again on the program for an hour-long version on June 14, 1951.

George Marshall, director of The Ghost Breakers, remade it as Scared Stiff (1953), featuring Martin and Lewis (Dean Martin and Jerry Lewis). The remake featured cameos not only from Hope, but also from Bing Crosby. A year before Scared Stiff, Martin and Lewis appeared in the Crosby/Hope film Road to Bali. Marshall also directed the not-dissimilar Murder, He Says (1945), in which Fred MacMurray compares the situation to "that Bob Hope movie The Ghost Breakers."

Scenes from the film were used in the 1972 pilot episode of The Snoop Sisters (aka The Female Instinct).[5]

The Ghost Breakers was one of the inspirations for the Ghostbusters series of films, whereby Dan Ackroyd wanted to combine the latest research with The Ghost Breakers style of comedy.[6][7]

Reception

Reviews from critics were positive. Bosley Crowther of The New York Times wrote, "It looks as though Paramount has really discovered something: it has found the fabled formula for making an audience shriek with laughter and fright at one and (as the barkers say) the simultaneous time."[8] Variety declared it "solid comedy entertainment that will generate plenty of laughs and roll up some hefty b.o. figures along the way."[9] Harrison's Reports called it, "One of the finest ghost stories that have been produced for some time."[10] "Corking comedy has laughs and thrills aplenty," Film Daily reported.[11] John Mosher of The New Yorker wrote, "The amalgam of farce and horror is very successful."[12]

Writing in The Zombie Movie Encyclopedia, Peter Dendle said, "This is considered to be among Bob Hope's finest pictures, and the direction is smooth and the lines delivered flawlessly, but black actor Willie Best's jokes about fried chicken are no longer funny, and smarmy Hope isn't funny to begin with."[13] Glenn Kay, who wrote Zombie Movies: The Ultimate Guide, called it "entertaining and hugely successful", though he said some scenes are uncomfortable due to their political incorrectness.[14]

See also

• List of American films of 1940

References

External links

• The Ghost Breakers at IMDb
• The Ghost Breakers at Trailers from Hell
• The Ghost Breakers at AllMovie
• The Ghost Breakers at the TCM Movie Database

На других языках

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- [en] The Ghost Breakers

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[es] El castillo maldito (película de 1940)

El castillo maldito es un film diseñado expresamente para el lucimiento de las estrellas de la Paramount: Bob Hope y Paulette Goddard. El año anterior, ambos actores ya habían funcionado muy bien con la película El gato y el canario (The Cat and The Canary, 1939). También se trata de una comedia de cine de terror ambientada en una casa encantada.

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[ru] Охотники за привидениями (фильм, 1940)

«Охотники за привидениями» (англ. The Ghost Breakers) — американский детектив/ужастик 1940 года комедийный фильм режиссёра Джорджа Маршалла с Бобом Хоупом и Полетт Годдар в главных ролях. Фильм был адаптирован сценаристом Уолтером ДеЛеоном в качестве третьей киноверсии пьесы 1909 года «Призрачный разбойник» Пола Дики и Чарльза В. Годдара[2].

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