The Knack …and How to Get It is a 1965 British comedy film directed by Richard Lester and starring Rita Tushingham, Ray Brooks, Michael Crawford, and Donal Donnelly. The screenplay by Charles Wood is based on a play of the same name by Ann Jellicoe. The film is considered emblematic of the Swinging London cultural phenomenon.
The Knack …and How to Get It | |
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Directed by | Richard Lester |
Written by | Charles Wood |
Produced by | Oscar Lewenstein |
Starring | Rita Tushingham Ray Brooks Michael Crawford Donal Donnelly |
Cinematography | David Watkin |
Edited by | Antony Gibbs |
Music by | John Barry |
Production company | Woodfall Film Productions |
Distributed by | United Artists Corporation |
Release date | 3 June 1965 (1965-06-03) |
Running time | 85 minutes |
Country | United Kingdom |
Language | English |
Budget | $364,000[1][2] |
Box office | $2.5 million (US)[1] |
The film premiered in-competition at the 1965 Cannes Film Festival, and won the Palme d'Or and the Technical Grand Prize. At the 19th British Academy Film Awards, the film was nominated in six categories, including BAFTA Award for Best Film and Outstanding British Film. Rita Tushingham was nominated for a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical, and the film was nominated for Best English-Language Foreign Film.
Colin is a nervous schoolteacher working in London, observing rather than participating in the sexual revolution of the 1960s. He has little personal sexual experience and wishes to gain "the knack": in this case meaning a way to seduce women. He turns to a friend, a confident, womanizing drummer known only by his surname, Tolen. Tolen gives him unhelpful advice to consume more protein and use intuition, acknowledging intuition is not something that can be completely learned, and advocates the importance of domination of women. He then suggests that Colin should move into his home, where he and another friend "share" women.
Colin boards the front door shut. The third flatmate, Tom, is obsessed with painting everything white... including the windowpanes. Due to the blocked door Tolen brings his girls in through the window. Colin swaps his single bed for a fancy old double wrought iron bed which he finds in a scrapyard with Tom. Nancy meets Colin at the scrapyard. Nancy is an inexperienced and shy young woman who has arrived to London from out of town, and is searching for the YWCA. She stops by a clothing store and is won over by the flattery of the clerk, until she overhears him repeating the same words to every female customer.
From the scrapyard the three take the bed on a complex and zany journey back to the house. This includes parking it at a parking meter, moving it on a car transporter and carrying it down the steps of the Royal Albert Hall.
In a public space, Tolen sexually assaults Nancy, who at first is silent then faints. When she wakes up, she begins claiming she was raped, though this was not the case. Tolen, Colin and their friends find themselves unable to restrain her from loudly repeating the allegations, or puncturing the tyres of Tolen's motorcycle, and she runs back to the residence, where she throws Tolen's records out of the window and strips naked. The men become convinced her rape allegations reflect rape fantasy and urge Tolen to have sex with her. When Nancy emerges from the room wearing only a robe, she instead expresses more attraction to Colin, and he returns the interest. The two begin living together.
After seeing Ann Jellicoe's play The Knack, the producers envisioned a film adaptation. They offered the position of director to Lindsay Anderson, who refused.[3]
Having worked with The Beatles on A Hard Day's Night, Lester was another candidate for director, and agreed to take the position.[3] Lester made major changes to the play, adding his own touch through direct address, unexpected oddly-edited sequences, humorous subtitles, and a Greek chorus of disapproving members of "the older generation."[citation needed] Filming took place in a few weeks in November and early December 1964, and Lester employed television advertising techniques.[3] Talking about the film in the 1980s, actor Ray Brooks said:
He’s a very visual man...They reckon that you could take any frame from Help, The Knack, and A Hard Day’s Night and you could put it on the cover of Time/Life. Everything was so beautifully shot."[4]
Lester himself makes a brief cameo as an annoyed bystander. John Barry contributed the jazzy score, which features a memorable organ solo by Alan Haven. Jane Birkin, Charlotte Rampling, and Jacqueline Bisset all made their first cinematic appearances in the film as extras, together with Top of the Pops disc girl Samantha Juste.
In The New York Times, Bosley Crowther positively reviewed it as "delightfully mobile" and a "frenziedly running, jumping picture".[5] Variety praised the performances, citing Rita Tushingham as perfect in her role.[6]
In 2016, The Hollywood Reporter ranked it the 49th best film to win the Palme d'Or, stating it "hasn't aged well" but the setting was a great asset.[7] In 2001, the Wallflower Critical Guide noted the creativity in cinematography and editing, but said it disrupted the storytelling.[8]
The film was entered into competition at the 1965 Cannes Film Festival,[9] where it won the Palme d'Or.[10]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref(s) |
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Belgian Film Critics Association | 1966 | Grand Prix | Richard Lester | Won | [11] |
British Academy Film Awards | 1966 | Best British Film | Nominated | [12] | |
Best Film from Any Source | Nominated | ||||
Best Screenplay | Charles Wood | Nominated | |||
Best Actress | Rita Tushingham | Nominated | |||
Best Cinematography, Black and White | David Watkin | Nominated | |||
Most Promising Newcomer | Michael Crawford | Nominated | |||
Cannes Film Festival | 3 – 16 May 1965 | Palme d'Or | Richard Lester | Won | [10] |
Golden Globe Awards | 28 February 1966 | Best Actress – Comedy or Musical | Rita Tushingham | Nominated | [13] |
Best Foreign Film, English Language | Richard Lester | Nominated | |||
Writers' Guild of Great Britain | 10 March 1966 | Best British Documentary Film or Short Script | Charles Wood | Won | [14] |
Films directed by Richard Lester | |
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