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Viridiana (pronounced [biɾiˈðjana]) is a 1961 Spanish-Mexican film directed by Luis Buñuel and produced by Gustavo Alatriste.[1] It is loosely based on the 1895 novel Halma by Benito Pérez Galdós.

Viridiana
French poster
Directed by	Luis Buñuel
Written by	Luis Buñuel Julio Alejandro
Produced by	Gustavo Alatriste
Starring	Silvia Pinal Francisco Rabal Fernando Rey
Cinematography	José F. Aguayo
Edited by	Pedro del Rey
Distributed by	Films Sans Frontières[citation needed]
Release date	17 May 1961 (Cannes Film Festival)
Running time	90 min.
Countries	Spain Mexico
Language	Spanish

The film was the co-winner of the Palme d'Or at the 1961 Cannes Film Festival.[2] In a 2016 poll of 350 experts organized by Spanish film magazine Caimán Cuadernos de Cine, it was voted the best Spanish film of all time, with 227 votes.

Plot

A novice nun named Viridiana is about to take her vows when her uncle Jaime invites her to visit him. She has only met him once and does not want to go, but her mother superior reminds Viridiana that Jaime is her only living relative and paid for her studies, so she agrees to make the trip.

Jaime is a widower and recluse who lives on a neglected country estate with a few servants. He greets Viridiana, who strongly resembles her aunt, warmly and says he is sorry he does not know her better. Viridiana likes life on the farm, but remains cold toward Jaime, as she heard he has an illegitimate son who he abandoned.

On the last day of her visit, Jaime asks Viridiana to don his wife's wedding gown. She does, and Jaime tells her that her aunt died of a heart attack on their wedding night. It becomes clear that Jaime wants to marry Viridiana, and she is repulsed. He seems to drop the idea and gets her to agree to stay for a cup of coffee before going to bed, signaling his maid Ramona to drug Viridiana's drink. Jaime kisses her once she is unconscious, but cannot bring himself to rape her.

In the morning, Jaime tells Viridiana that, because he raped her, she cannot return to the convent. She still packs her things, so he admits what really happened, hoping she will not leave hating him, but Viridiana does not forgive Jaime.

Viridiana is kept from boarding the bus out of town by the news that Jaime hung himself. She feels guilty for his death and decides to stay on at the estate. Jaime split his belongings between Viridiana and his son, Jorge, who moves into Jaime's house with his girlfriend, Lucía, and begins to fix up the buildings and land he inherited. Meanwhile, Viridiana pays beggars from town to move onto the property, where she cares for them and devotes herself to their moral development. She even welcomes José, a man with sores on his arm, who the other beggars do not accept, as they think he has leprosy. The beggars behave themselves when Viridiana is around, but they revert to their old ways as soon as she is gone.

Jorge says he does not like Viridiana's actions and is annoyed by her piety, but Lucía thinks he is attracted to her and, also bored of the country, leaves. After noticing Ramona looking at him, Jorge seduces the maid.

When Viridiana and Jorge go to town on business and all of the servants are also away, the beggars break into Jorge's house. At first, they just want to look around, but they wind up having a drunken dinner party. Enedina has everyone pose on one side of the table, like in Da Vinci's The Last Supper, but she does not really have a camera. Everyone laughs, and José puts Handel's "Hallelujah" Chorus on the turntable and dances around in Jaime's wife's bridal veil and corset. Paco pulls Enedina behind a couch and begins to rape her, but, in their inebriated state, the others think the interaction is consensual. When Amalio, a blind man who is Enedina's jealous boyfriend, hears about what is happening, he says he will kill Paco and breaks all of the dishes on the table.

As there is now irreparable damage, most of the beggars flee the estate. They run into Jorge on their way out, and he surveys the destruction until "El Cojo" attacks him. José knocks Jorge out and Viridiana enters. El Cojo tries to rape her while José, who hopes to get "a turn", ties up Jorge. When Jorge awakens, he bribes José to kill El Cojo, saving Viridinia, who has fainted. Ramona returns with some police officers.

Viridiana lets her hair down and puts her crown of thorns, which she used to kneel in front of during her prayers, on a pile of waste to be burned. She goes to Jorge's bedroom and finds Ramona with him. He invites her to play cards and listen to some modern music,[lower-alpha 1] and, though she appears troubled, she complies. Jorge has both women sit down and deals the cards.

Censored ending

The Spanish board of censors rejected the original ending of the film, which depicted Viridiana entering Jorge's room and slowly closing the door behind her. A new ending was written and accepted that, according to some film historians, is even more debauched, if less explicit, than the first, as it implies a ménage à trois consisting of Jorge, Ramona, and Viridiana.[3] The released version of the film ends with Jorge saying: "You know, the first time I saw you, I thought, 'My cousin and I will end up shuffling the deck together.'"

Cast

Reception

While Viridiana is regarded by many modern critics as a masterpiece, its initial reception was not so uniformly positive. It was sent by the Spanish cinematographic authority to the Cannes Film Festival, where it won the Palme d'Or, but then L'Osservatore Romano, the official newspaper of the Vatican, described the film as "blasphemous", and the government of Francisco Franco banned its release in Spain. According to executive producer Pere Portabella, Spanish authorities tried to have the original negative burned, and it only survived because it was with a foreign company who had done some post-production work.[4] The film was not released in Spain until 1977, two years after Franco's death, when Buñuel was 77 years old.[5] For his part, Buñuel said he "didn't deliberately set out to be blasphemous, but then Pope John XXIII is a better judge of such things than I am".[5]

The film won the Belgian Film Critics Association's Grand Prix, but Bosley Crowther of The New York Times wrote:

Luis Buñuel is presenting a variation on an ancient theme in his new Spanish film, Viridiana, which came to the Paris yesterday. The theme is that well-intended charity can often be badly misplaced by innocent, pious people. Therefore, beware of charity. ... It is an ugly, depressing view of life. And, to be frank about it, it is a little old-fashioned, too. His format is strangely literary; his symbols are obvious and blunt, such as the revulsion of the girl toward milking or the display of a penknife built into a crucifix. And there is something just a bit corny about having his bums doing their bacchanalian dance to the thunder of the "Hallelujah Chorus."[6]

In 2012, Viridiana was voted the 37th greatest film of all time in the British Film Institute's Sight & Sound directors' poll; it placed 110th in the critics' poll.[7]

Home video

The film was released by The Criterion Collection in the United States and by Madman Entertainment in Australia (on the "Directors Suite" label) and New Zealand.

Notes

References

External links

• Silvia Pinal, Pere Portabella, Juan Luis Buñuel and Jean-Claude Carrière speak about the film at 35 mm de cine español
• Viridiana at IMDb
• Viridiana at AllMovie
• Viridiana: The Human Comedy an essay by Michael Wood at the Criterion Collection
• Viridiana at Rotten Tomatoes

На других языках

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[de] Viridiana

Viridiana ist ein mexikanisch-spanischer Schwarzweiß-Film von Luis Buñuel aus dem Jahr 1961. In Spanien war der Film zur Zeit des Franquismus verboten. Bei den Filmfestspielen von Cannes erhielt Viridiana, der aus heutiger Sicht als ein religions- und sozialkritische Meisterwerk gilt, jedoch bereits im Jahr seiner Veröffentlichung die Goldene Palme.[1]

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- [en] Viridiana

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[es] Viridiana

Viridiana es una película hispanomexicana de 1961 dirigida por Luis Buñuel, con las actuaciones de Silvia Pinal, Francisco Rabal y Fernando Rey, en los papeles principales. Está basada en la novela Halma, de Benito Pérez Galdós, y se concibió como una continuación de la película Nazarín (1959), también dirigida por Buñuel.[1][2]

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[ru] Виридиана

«Виридиáна» (исп. Viridiana) — кинодрама Луиса Бунюэля (1961) по роману Бенито Переса Гальдоса «Альма». Первый полнометражный сюжетный фильм Бунюэля, снятый в родной Испании. На фестивале в Каннах премьера фильма, в котором режиссёр поднимает запретные для франкистской Испании темы инцеста, суицида, насилия над женщиной, святотатства и шведской семьи, обернулась грандиозным скандалом, разъярила Ватикан и привела к запрету фильма в Испании на 16 лет (до самого падения франкистского режима)[1].

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