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The Miracle Worker is a 1962 American biographical film about Anne Sullivan, blind tutor to Helen Keller, directed by Arthur Penn. The screenplay by William Gibson is based on his 1959 play of the same title, which originated as a 1957 broadcast of the television anthology series Playhouse 90. Gibson's secondary source material was The Story of My Life, the 1903 autobiography of Helen Keller.

The Miracle Worker
Original poster
Directed by	Arthur Penn
Screenplay by	William Gibson
Based on	The Miracle Worker by William Gibson
Produced by	Fred Coe
Starring	Anne Bancroft Patty Duke
Cinematography	Ernesto Caparrós
Edited by	Aram Avakian
Music by	Laurence Rosenthal
Production company	Playfilm Productions
Distributed by	United Artists
Release date	July 28, 1962 (1962-07-28)
Running time	106 minutes
Country	United States
Language	English

The film went on to be an instant critical success and a moderate commercial success. The film was nominated for five Academy Awards, including Best Director for Arthur Penn, and won two awards, Best Actress for Anne Bancroft and Best Supporting Actress for Patty Duke, the latter of whom, at age 16, became the youngest competitive Oscar winner at the time. The Miracle Worker also holds a 96% score from the movie critics site Rotten Tomatoes.[1]

Synopsis

Young Helen Keller (Patty Duke), blind and deaf since infancy due to a severe case of scarlet fever, is frustrated by her inability to communicate and subject to frequent violent and uncontrollable outbursts. Unable to deal with her, her terrified and helpless parents contact the Perkins School for the Blind for assistance. In response, they send Anne Sullivan (Anne Bancroft), a former student, to the Keller home as a tutor. A battle of wills ensues as Anne breaks down Helen's walls of silence and darkness through persistence, love, and sheer stubbornness, starting by teaching Helen to make a connection between her hand signs and the objects in Helen's world for which they stand.

Cast

• Anne Bancroft as Anne Sullivan
• Patty Duke as Helen Keller
• Victor Jory as Captain Arthur Keller
• Inga Swenson as Kate Keller
• Andrew Prine as James Keller
• Kathleen Comegys as Aunt Ev
• Beah Richards as Viney (uncredited)
• Jack Hollander as Mr. Anagnos (uncredited)
• Michael Darden as Percy (uncredited)
• Dale Ellen Bethea as Martha (uncredited)
• John Bliss as Admissions Officer (uncredited)
• Judith Lowry as 1st Crone (uncredited)
• William F. Haddock as 2nd Crone (uncredited)
• Helen Ludlam as 3rd Crone (uncredited)
• Michelle Rees as Mercy (Maranatha Baptist University play)

Production notes

This section needs additional citations for verification. (July 2021)

Despite Anne Bancroft's award-winning performance as Anne Sullivan in the Broadway production, United Artists executives wanted Elizabeth Taylor to be cast in this role in the film adaptation. However Arthur Penn (who had also directed the stage production) insisted on using Bancroft. As a result, the studio viewed the film as a risky prospect and granted Penn only a tight budget of $1,300,000 (of which $200,000 was spent in purchasing the rights to the play).[2]

In addition, despite the fact that Patty Duke had played Helen Keller in the play, she almost did not get the part. The reason was that at 15 she was too old to portray a seven-year-old girl. But after Bancroft had been cast as Anne, Duke was chosen to play Helen in the movie.

For the dining room battle scene, in which Anne tries to teach Helen proper table manners, both Bancroft and Duke wore padding beneath their costumes to prevent serious bruising during the intense physical skirmish. The nine-minute sequence required three cameras and took five days to film.[3]

The film was shot at Big Sky Ranch in Simi Valley, California, and Middletown, New Jersey.

It was remade for television in 1979 with Patty Duke as Anne and Melissa Gilbert as Helen as well as in 2000 with Alison Elliott and Hallie Kate Eisenberg in the lead roles.

The film ranked 15 on AFI's 100 Years...100 Cheers: America's Most Inspiring Movies.

Reception

In his review in The New York Times, Bosley Crowther wrote

The absolutely tremendous and unforgettable display of physically powerful acting that Anne Bancroft and Patty Duke put on in William Gibson's stage play The Miracle Worker is repeated by them in the film ... But because the physical encounters between the two ... seem to be more frequent and prolonged than they were in the play and are shown in close-ups, which dump the passion and violence right into your lap, the sheer rough-and-tumble of the drama becomes more dominant than it was on the stage ... The bruising encounters between the two ... are intensely significant of the drama and do excite strong emotional response. But the very intensity of them and the fact that it is hard to see the difference between the violent struggle to force the child to obey ... and the violent struggle to make her comprehend words makes for sameness in these encounters and eventually an exhausting monotony. This is the disadvantage of so much energy. However, Miss Bancroft's performance does bring to life and reveal a wondrous woman with great humor and compassion as well as athletic skill. And little Miss Duke, in those moments when she frantically pantomimes her bewilderment and desperate groping, is both gruesome and pitiable.[4]

TV Guide rates the film 41⁄2 out of a possible five stars and calls it "a harrowing, painfully honest, sometimes violent journey, astonishingly acted and rendered."[5]

Time Out London wrote

It's a stunningly impressive piece of work ... deriving much of its power from the performances. Patty Duke and Anne Bancroft spark off each other with a violence and emotional honesty rarely seen in the cinema, lighting up each other's loneliness, vulnerability, and plain fear. What is in fact astonishing is the way that, while constructing a piece of very carefully directed and intelligently written melodrama, Penn manages to avoid sentimentality or even undue optimism about the value of Helen's education, and the way he achieves such a feeling of raw spontaneity in the acting.[6]

Awards and honors

Award	Category	Nominee(s)	Result
Academy Awards[7]	Best Director	Arthur Penn	Nominated
	Best Actress	Anne Bancroft	Won
	Best Supporting Actress	Patty Duke	Won
	Best Screenplay – Based on Material from Another Medium	William Gibson	Nominated
	Best Costume Design – Black-and-White	Ruth Morley	Nominated
British Academy Film Awards[8]	Best Film from any Source		Nominated
	Best Foreign Actress	Anne Bancroft	Won
Directors Guild of America Awards[9]	Outstanding Directorial Achievement in Motion Pictures	Arthur Penn	Nominated
Golden Globe Awards[10]	Best Motion Picture – Drama		Nominated
	Best Actress in a Motion Picture – Drama	Anne Bancroft	Nominated
	Best Supporting Actress – Motion Picture	Patty Duke	Nominated
	Most Promising Newcomer – Female		Won
Grand Prix	Best Film		Won
Laurel Awards	Top Drama		Nominated
	Top Female Dramatic Performance	Anne Bancroft	Nominated
	Top Female Supporting Performance	Patty Duke	Won
National Board of Review Awards[11]	Top Ten Films		3rd Place
	Best Actress	Anne Bancroft	Won
Photoplay Awards	Gold Medal		Won
San Sebastián International Film Festival	OCIC Award	Arthur Penn	Won
	Best Actress	Anne Bancroft	Won
Turkish Film Critics Association Awards	Best Foreign Film		Nominated
Writers Guild of America Awards[12]	Best Written American Drama	William Gibson	Nominated

Other honors The film is recognized by American Film Institute in these lists:

• 2003: AFI's 100 Years...100 Heroes & Villains:
  • Annie Sullivan – Nominated Hero[13]
• 2005: AFI's 100 Years of Film Scores – Nominated[14]
• 2006: AFI's 100 Years...100 Cheers – #15[15]

See also

• List of American films of 1962
• The Miracle Worker (1979 film)
• The Miracle Worker (2000 film)
• Black (2005 film)
• List of films featuring the deaf and hard of hearing

References

External links

• The Miracle Worker at IMDb
• The Miracle Worker at AllMovie
• The Miracle Worker at the TCM Movie Database
• The Miracle Worker at the American Film Institute Catalog

На других языках

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[de] Licht im Dunkel

Licht im Dunkel ist ein US-amerikanisches Filmdrama unter Regie von Arthur Penn aus dem Jahre 1962. Der Film basiert auf dem Werk The Miracle Worker des Dramatikers William Gibson, welches zuvor bereits 1957 als Fernsehspiel und 1959 als Broadway-Stück aufgeführt wurde. In diesem wird die Zusammenarbeit zwischen der taubblinden Helen Keller und ihrer Lehrerin Anne Sullivan Macy beschrieben. Der autobiografische Roman von Helen Keller diente Gibson als Vorlage.

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- [en] The Miracle Worker (1962 film)

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[ru] Сотворившая чудо (фильм, 1962)

«Сотвори́вшая чу́до» (англ. The Miracle Worker) — второй полнометражный фильм американского режиссёра Артура Пенна. Картина снята по пьесе «Сотворившая чудо» Уильяма Гибсона, основанной на автобиографии слепоглухонемой Хелен Келлер «История моей жизни[en]». В главных ролях снялись Энн Бэнкрофт и Патти Дьюк. Фильм выиграл премии «Оскар» в номинациях «Лучшая женская роль» и «Лучшая женская роль второго плана».

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