Leslie Allan Murray AO (17 October 1938 – 29 April 2019) was an Australian poet, anthologist, and critic. His career spanned over 40 years and he published nearly 30 volumes of poetry as well as two verse novels and collections of his prose writings.
Les Murray AO | |
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Born | (1938-10-17)17 October 1938 Nabiac, New South Wales, Australia |
Died | 29 April 2019(2019-04-29) (aged 80) Taree, New South Wales, Australia |
Occupation | Poet |
Education | Taree High School |
Alma mater | University of Sydney |
Genre | Poetry |
Spouse | Valerie Morelli (m. 1962) |
Children | 5 |
Website | |
lesmurray |
Translations of Murray's poetry have been published in 11 languages: French, German, Italian, Catalan, Spanish, Norwegian, Danish, Swedish, Hindi, Russian, and Dutch.[1] Murray's poetry won many awards and he is regarded as "the leading Australian poet of his generation".[2][3] He was rated in 1997 by the National Trust of Australia as one of the 100 Australian Living Treasures.[4][5]
Les Murray was born in Nabiac, New South Wales and grew up in nearby Bunyah. He attended primary and early high school in Nabiac and then Taree High School. At age 18, while watching mayflies along the river, Murray decided to become a poet.[6]
In 1957 Murray entered the University of Sydney in the Faculty of Arts and joined the Royal Australian Navy Reserve to obtain a small income. Speaking about this time to Clive James he has said:
"I was as soft-headed as you could imagine. I was actually hanging on to childhood because I hadn't had much teenage. My Mum died and my father collapsed. I had to look after him. So I was off the chain at last, I was in Sydney and I didn't quite know how to do adulthood or teenage. I was being coltish and foolish and childlike. I received the least distinguished degree Sydney ever issued. I don't think anyone's ever matched it."[7]
In 1961 The Bulletin published one of Murray's poems.[6] He developed an interest in ancient and modern languages, and eventually qualified to become a professional translator at the Australian National University (where he was employed from 1963 to 1967). During his studies he met other poets and writers such as Geoffrey Lehmann, Bob Ellis,[1][8] Clive James and Lex Banning as well as future political journalists Laurie Oakes and Mungo McCallum Jr. Between times, he hitch-hiked around Australia. Murray lived for several months at a Sydney Push household at Milsons Point,[9]: 97–99 where he read Virgil's Eclogues at the suggestion of his host, Brian Jenkins.[9]: 120
Murray returned to undergraduate studies in the 1960s. He converted to Roman Catholicism when he married Budapest-born fellow-student Valerie Morelli in 1962. His poetry frequently refers to Catholic themes.[10] The couple lived in Wales and Scotland and travelled in Europe for over a year in the late 1960s. They had five children together.
In 1971, Murray resigned from his "respectable cover occupations" of translator and public servant in Canberra (1970) to write poetry full-time.[1] The family returned to Sydney, but Murray, planning to return to his home at Bunyah, managed to buy back part of the lost family home in 1975 and to visit there intermittently until 1985 when he and his family returned to live there permanently.[8]
Murray died on 29 April 2019 at a Taree, New South Wales nursing home at the age of 80.[11][12]
Murray had a long career in poetry and literary journalism in Australia. When he was 38 years old, his Selected Poems was published by Angus & Robertson, signifying his emergence as a leading poet.[2] The Murray biographer Peter Alexander has written that "all Murray’s volumes are uneven, though as Bruce Clunies Ross would remark, 'There's "less good" and "good", but it's very hard to find really inferior Murray'."[13]
When Murray was a student at the University of Sydney he was the editor of Hermes, with Geoffrey Lehmann (1962)[14]. Murray edited the magazine Poetry Australia (1973–79).[8] During his tenure as poetry editor for Angus & Robertson (1976–90) he was responsible for publishing the first book of poetry by Philip Hodgins. In 1991 Murray became literary editor of Quadrant. He edited several anthologies, including the Anthology of Australian Religious Poetry. First published in 1986, a second edition was published in 1991. It interprets religion loosely[8] and includes the work of many of poets, such A. D. Hope, Judith Wright, Rosemary Dobson, Kevin Hart, Bruce Dawe, and himself. The New Oxford Book of Australian Verse was most recently re-issued in 1996.
Murray described himself, perhaps half-jokingly, as the last of the "Jindyworobaks", an Australian literary movement whose white members sought to promote indigenous Australian ideas and customs, particularly in poetry.[1] Though not a member, he was influenced by their work, something that is frequently discussed by Murray critics and scholars in relation to his themes and sensibilities.
In 2007, Dan Chiasson wrote in The New Yorker that Murray was "now routinely mentioned among the three or four leading English-language poets".[15] Murray was talked of as a possible winner of the Nobel Prize in Literature.[16]
Murray retired as literary editor of Quadrant in late 2018 for health reasons.[17]
Murray published around 30 volumes of poetry and is often called Australia's bush-bard. The academic David McCooey described Murray in 2002 as "a traditional poet whose work is radically original".[18] His poetry is rich and diverse, while also exhibiting "an obvious unity and wholeness" based on "his consistent commitment to the ideals and values of what he sees as the real Australia".[8]
While admiring Murray's linguistic skill and poetic achievement, poet John Tranter, in 1977, also expressed uneasiness about some aspects of his work. Tranter praises Murray's "good humour" and concludes that "For all my disagreements, and many of them are profound, I found the Vernacular Republic full of rich and complex poetry."[2]
Bourke writes that:
Murray's strength is the dramatization of general ideas and the description of animals, machines, or landscape. At times his immense self-confidence produces garrulity and sweeping, dismissive prescriptions. The most attractive poems show enormous powers of invention, lively play with language, and command of rhythm and idiom. In these poems Murray invariably explores social questions through a celebration of common objects from the natural world, as in "The Broad Bean Sermon", or machines, as in "Machine Portraits with Pendant Spaceman". Always concerned with a "common reader", Murray's later poetry (for example, Dog Fox Field, 1990, Translations from the Natural World, 1992) recovers "populist" conventions of newspaper verse, singsong rhyme, and doggerel.[1]
American reviewer Albert Mobilio writes in his review of Learning Human: Selected Poems that Murray revived the traditional ballad form. He goes on to comment on Murray's conservatism and his humour:
"Because his conservatism is imbued with an angular, self-mocking wit, which very nearly belies the down-home values being expressed, he catches readers up in the joke. We end up delighted by his dexterity, if a bit doubtful about the end to which it's been put."[19]
In 2003, Australian poet Peter Porter, reviewing Murray's New Collected Poems, makes a somewhat similar paradoxical assessment of Murray:
"A skewer of polemic runs through his work. His brilliant manipulation of language, his ability to turn words into installations of reality, is often forced to hang on an embarrassing moral sharpness. The parts we love – the Donne-like baroque – live side by side with sentiments we don't: his increasingly automatic opposition to liberalism and intellectuality."[20]
Twelve years after Murray's induced birth, his mother miscarried another child. She died after the doctor failed to call an ambulance. Literary critic Lawrence Bourke writes that "Murray, linking his birth to her death, traces his poetic vocation from these traumatic events, seeing in them the relegation of the rural poor by urban élites. Dispossession, relegation, and independence become major preoccupations of his poetry".[1] Beyond this, though, his poetry is generally seen to have a nationalistic bent. The Oxford Companion to Australian Literature writes that:
The continuing themes of much of his poetry are those inherent in that traditional nationalistic identity – respect, even reverence, for the pioneers; the importance of the land and its shaping influence on the Australian character, down-to-earth, laconic ... and based on such Bush-bred qualities as egalitarianism, practicality, straight-forwardness and independence; special respect for that Australian character in action in wartime ... and a brook-no-argument preference for the rural life over the sterile and corrupting urban environment.[8]
Of his literary journalism, Bourke writes that "In a lively, frequently polemic prose style he promotes republicanism, patronage, Gaelic bardic poetry, warrior virtu, mysticism, and Aboriginal models, and attacks modernism and feminism."[1]
In 1972, Murray and some other Sydney activists launched the Australian Commonwealth Party,[9]: 144–145 and authored its unusually idealistic campaign manifesto. During the 1970s he opposed the New Poetry or "literary modernism" which emerged in Australia at that time, and was a major contributor to what is known in Australian poetry circles as "the poetry wars". "One of his complaints against post-modernism was that it removed poetry from widespread, popular readership, leaving it the domain of a small intellectual clique".[8] As American reviewer Albert Mobilio describes it, Murray "waged a campaign for accessibility".[19]
In 1995, Murray became involved in the Demidenko/Darville affair. Helen Darville, an Australian writer who had won several major literary awards for her novel The Hand That Signed the Paper, had claimed to be the daughter of a Ukrainian immigrant, though her parents were in fact English migrants. Murray said of Darville that
"She was a young girl, and her book mightn't have been the best in the world, but it was pretty damn good for a girl of her age [20 when she wrote it]. And her marketing strategy of pretending to be a Ukrainian might have been unwise, but it sure did expose the pretensions of the multicultural industry".[citation needed]
Biographer Alexander writes that in his poem "A Deployment of Fashion", Murray linked "the attack on Darville with the wider phenomenon of attacks on those judged outcasts (from Lindy Chamberlain to Pauline Hanson) by society’s fashion police, the journalists, academics and others who form opinion (p.282).[13]
In 1996, Murray became involved in a controversy about whether Australian historian Manning Clark had received and regularly worn the medal of the Order of Lenin (p 276).[13]
In 2005, The Widower, a short film based on five poems by Murray, was released. It was directed by Kevin Lucas and written by singer-festival director, Lyndon Terracini, with music by Elena Kats-Chernin. Its cast included Chris Haywood and Frances Rings. The five poems used for the film are "Evening Alone at Bunyah", "Noonday Axeman", "The Widower in the Country", "Cowyard Gates" and "The Last Hellos". Sydney Morning Herald reviewer Paul Byrnes concludes his review with:
The film is stunningly beautiful at times, and wildly ambitious, an attempt to be both wordless and wordy, to get to the hypnotic state that poetry and music can induce while saying something meaningful about black and white attitudes to land and love. This last part, as I read Murray, is largely imposed and disruptive, trying to pin a romantic political agenda to the work that's hardly there. It makes the film too literal, too current, when it wants to lodge itself in the more mysterious part of the brain. The film still has a power – Haywood's performance is magnificent – but it never achieves a strong inner reality. It falls short of its own tall ambitions.[21]
Recipients of the Mondello Prize | |
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Single Prize for Literature: Bartolo Cattafi (1975) • Achille Campanile (1976) • Günter Grass (1977) | |
Special Jury Prize: Denise McSmith (1975) • Stefano D'Arrigo (1977) • Jurij Trifonov (1978) • Jarosław Iwaszkiewicz (1979) • Pietro Consagra (1980) • Ignazio Buttitta, Angelo Maria e Ela Ripellino (1983) • Leonardo Sciascia (1985) • Wang Meng (1987) • Mikhail Gorbaciov (1988) • Peter Carey, José Donoso, Northrop Frye, Jorge Semprún, Wole Soyinka, Lu Tongliu (1990) • Fernanda Pivano (1992) • Associazione Scrittori Cinesi (1993) • Dong Baoucum, Fan Boaci, Wang Huanbao, Shi Peide, Chen Yuanbin (1995) • Xu Huainzhong, Xiao Xue, Yu Yougqnan, Qin Weinjung (1996) • Khushwant Singh (1997) • Javier Marías (1998) • Francesco Burdin (2001) • Luciano Erba (2002) • Isabella Quarantotti De Filippo (2003) • Marina Rullo (2006) • Andrea Ceccherini (2007) • Enrique Vila-Matas (2009) • Francesco Forgione (2010) | |
First narrative work: Carmelo Samonà (1978) • Fausta Garavini (1979) | |
First poetic work: Giovanni Giuga (1978) • Gilberto Sacerdoti (1979) | |
Prize for foreign literature: Milan Kundera (1978) • N. Scott Momaday (1979) • Juan Carlos Onetti (1980) • Tadeusz Konwicki (1981) | |
Prize for foreign poetry: Jannis Ritsos (1978) • Joseph Brodsky (1979) • Juan Gelman (1980) • Gyula Illyés (1981) | |
First work: Valerio Magrelli (1980) • Ferruccio Benzoni, Stefano Simoncelli, Walter Valeri, Laura Mancinelli (1981) • Jolanda Insana (1982) • Daniele Del Giudice (1983) • Aldo Busi (1984) • Elisabetta Rasy, Dario Villa (1985) • Marco Lodoli, Angelo Mainardi (1986) • Marco Ceriani, Giovanni Giudice (1987) • Edoardo Albinati, Silvana La Spina (1988) • Andrea Canobbio, Romana Petri (1990) • Anna Cascella (1991) • Marco Caporali, Nelida Milani (1992) • Silvana Grasso, Giulio Mozzi (1993) • Ernesto Franco (1994) • Roberto Deidier (1995) • Giuseppe Quatriglio, Tiziano Scarpa (1996) • Fabrizio Rondolino (1997) • Alba Donati (1998) • Paolo Febbraro (1999) • Evelina Santangelo (2000) • Giuseppe Lupo (2001) • Giovanni Bergamini, Simona Corso (2003) • Adriano Lo Monaco (2004) • Piercarlo Rizzi (2005) • Francesco Fontana (2006) • Paolo Fallai (2007) • Luca Giachi (2008) • Carlo Carabba (2009) • Gabriele Pedullà (2010) | |
Foreign author: Alain Robbe-Grillet (1982) • Thomas Bernhard (1983) • Adolfo Bioy Casares (1984) • Bernard Malamud (1985) • Friedrich Dürrenmatt (1986) • Doris Lessing (1987) • V. S. Naipaul (1988) • Octavio Paz (1989) • Christa Wolf (1990) • Kurt Vonnegut (1991) • Bohumil Hrabal (1992) • Seamus Heaney (1993) • J. M. Coetzee (1994) • Vladimir Vojnovič (1995) • David Grossman (1996) • Philippe Jaccottet (1998) • Don DeLillo (1999) • Aleksandar Tišma (2000) • Nuruddin Farah (2001) • Per Olov Enquist (2002) • Adunis (2003) • Les Murray (2004) • Magda Szabó (2005) • Uwe Timm (2006) • Bapsi Sidhwa (2007) • Viktor Erofeev (2009) • Edmund White (2010) • Javier Cercas (2011) • Elizabeth Strout (2012) • Péter Esterházy (2013) • Joe R. Lansdale (2014) • Emmanuel Carrère (2015) • Marilynne Robinson (2016) • Cees Nooteboom (2017) | |
Italian Author: Alberto Moravia (1982) • Vittorio Sereni alla memoria (1983) • Italo Calvino (1984) • Mario Luzi (1985) • Paolo Volponi (1986) • Luigi Malerba (1987) • Oreste del Buono (1988) • Giovanni Macchia (1989) • Gianni Celati, Emilio Villa (1990) • Andrea Zanzotto (1991) • Ottiero Ottieri (1992) • Attilio Bertolucci (1993) • Luigi Meneghello (1994) • Fernando Bandini, Michele Perriera (1995) • Nico Orengo (1996) • Giuseppe Bonaviri, Giovanni Raboni (1997) • Carlo Ginzburg (1998) • Alessandro Parronchi (1999) • Elio Bartolini (2000) • Roberto Alajmo (2001) • Andrea Camilleri (2002) • Andrea Carraro, Antonio Franchini, Giorgio Pressburger (2003) • Maurizio Bettini, Giorgio Montefoschi, Nelo Risi (2004) • pr. Raffaele Nigro, sec. Maurizio Cucchi, ter. Giuseppe Conte (2005) • pr. Paolo Di Stefano, sec. Giulio Angioni (2006) • pr. Mario Fortunato, sec. Toni Maraini, ter. Andrea Di Consoli (2007) • pr. Andrea Bajani, sec. Antonio Scurati, ter. Flavio Soriga (2008) • pr. Mario Desiati, sec. Osvaldo Guerrieri, ter. Gregorio Scalise (2009) • pr. Lorenzo Pavolini, sec. Roberto Cazzola, ter. (2010) • pr. Eugenio Baroncelli, sec. Milo De Angelis, ter. Igiaba Scego (2011) • pr. Edoardo Albinati, sec. Paolo Di Paolo, ter. Davide Orecchio (2012) • pr. Andrea Canobbio, sec. Valerio Magrelli, ter. Walter Siti (2013) • pr. Irene Chias, sec. Giorgio Falco, ter. Francesco Pecoraro (2014) • pr. Nicola Lagioia, sec. Letizia Muratori, ter. Marco Missiroli (2015) • pr. Marcello Fois, sec. Emanuele Tonon, ter. Romana Petri (2016) • pr. Stefano Massini, sec. Alessandro Zaccuri, ter. Alessandra Sarchi (2017) | |
"Five Continents" Award: Kōbō Abe, Tahar Ben Jelloun, Germaine Greer, Wilson Harris, José Saramago (1992) • Kenzaburō Ōe (1993) • Stephen Spender (1994) • Thomas Keneally, Alberto Arbasino (1996) • Margaret Atwood, André Brink, David Malouf, Romesh Gunesekera, Christoph Ransmayr (1997) | |
"Palermo bridge for Europe" Award: Dacia Maraini (1999), Premio Palermo ponte per il Mediterraneo Alberto Arbasino (2000) | |
"Ignazio Buttitta" Award: Nino De Vita (2003) • Attilio Lolini (2005) • Roberto Rossi Precerotti (2006) • Silvia Bre (2007) | |
Supermondello Tiziano Scarpa (2009) • Michela Murgia (2010) • Eugenio Baroncelli (2011) • Davide Orecchio (2012) • Valerio Magrelli (2013) • Giorgio Falco (2014) • Marco Missiroli (2015) • Romana Petri (2016) • Stefano Massini (2017) | |
Special award of the President: Ibrahim al-Koni (2009) • Emmanuele Maria Emanuele (2010) • Antonio Calabrò (2011) | |
Poetry prize: Antonio Riccardi (2010) | |
Translation Award: Evgenij Solonovic (2010) | |
Identity and dialectal literatures award: Gialuigi Beccaria e Marco Paolini (2010) | |
Essays Prize: Marzio Barbagli (2010) | |
Mondello for Multiculturality Award: Kim Thúy (2011) | |
Mondello Youths Award: Claudia Durastanti (2011) • Edoardo Albinati (2012) • Alessandro Zaccuri (2017) | |
"Targa Archimede", Premio all'Intelligenza d'Impresa: Enzo Sellerio (2011) | |
Prize for Literary Criticism: Salvatore Silvano Nigro (2012) • Maurizio Bettini (2013) • Enrico Testa (2014) • Ermanno Cavazzoni (2015) • Serena Vitale (2016) • Antonio Prete (2017) | |
Award for best motivation: Simona Gioè (2012) | |
Special award for travel literature: Marina Valensise (2013) | |
Special Award 40 Years of Mondello: Gipi (2014) |
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National libraries | |
Biographical dictionaries | |
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