fiction.wikisort.org - MovieThe Old Man and the Sea is a 1958 American adventure drama film directed by John Sturges and starring Spencer Tracy. The screenplay by Peter Viertel was based on the 1952 novel of the same name by Ernest Hemingway.
1958 film by John Sturges
The Old Man and the Sea |
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 Theatrical release poster |
Directed by | John Sturges |
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Screenplay by | Peter Viertel |
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Based on | The Old Man and the Sea by Ernest Hemingway |
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Produced by | Leland Hayward |
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Starring | Spencer Tracy |
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Cinematography |
- James Wong Howe
- Additional photography:
- Floyd Crosby
- Tom Tutwiler
- Underwater photography:
- Lamar Boren[1]
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Edited by | Arthur P. Schmidt |
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Music by | Dimitri Tiomkin |
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Distributed by | Warner Bros. |
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Release dates |
- October 7, 1958 (1958-10-07) (Premiere)
- October 11, 1958 (1958-10-11)
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Running time | 87 minutes[2][3] |
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Country | United States |
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Language | English |
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Budget | $5 million[4] |
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Dimitri Tiomkin won the Academy Award for Best Original Score for his work on the film. The film was also nominated for Best Color Cinematography (Howe) and Best Actor (Tracy).
Plot
The Old Man in the film is a Cuban fisherman who has gone 84 days without a catch. His only friend is a 14-year-old boy named Manolin, who has been barred by his father from accompanying the Old Man out to sea. On the Old Man's 85th day out, he finally hooks a huge marlin, which he then tries to haul in from far out past shore. For three days and nights he battles the fish, which is portrayed in the film (as it had been in Hemingway's novella) as a trial of mental and physical courage that becomes the ultimate test for him of his worth as a man.
Cast
- Spencer Tracy as The Old Man
- Felipe Pazos Jr. as Manolin[lower-alpha 1]
- Harry Bellaver as Martin
- Don Diamond as Café proprietor
- Don Blackman as Arm wrestler
- Joey Ray as a gambler
- Richard Alameda as a gambler
- Tony Rosa as a gambler
- Carlos Rivero as a gambler
- Robert Alderette as a gambler
- Don Alvarado (uncredited) as a waiter
Production
The director originally assigned to the film was Fred Zinnemann, but he withdrew, and was replaced by John Sturges.[4][5] The film's budget, originally $2 million, grew to $5 million "in search of suitable fish footage."[4] Sturges called it "technically the sloppiest picture I have ever made."[4]
According to Turner Classic Movies, a February 2005 CNN article points out that The Old Man and the Sea was one of the first films to "use a bluescreen compositing technology invented by Arthur Widmer, that combined actors on a soundstage with a pre-filmed background."[6]
The credits note that "Some of the marlin film used in this picture was of the world's record catch by Alfred C. Glassell Jr. at the Cabo Blanco Fishing Club in Peru. Mr. Glassell acted as special advisor for these sequences."[6][7]
Music
| This section needs additional citations for verification. (December 2015) |
Veteran film composer Dimitri Tiomkin composed and conducted the music for the film. His soundtrack recording, with the Warner Brothers Studio Orchestra, was recorded in the auditorium of Hollywood Post No. 43, American Legion, in Hollywood; Billboard reported that the acoustics in the Hollywood Legion were "far superior to most studio space in Hollywood and similar to that of the best concert halls."[8] During the week of April 21, 1958, Columbia held open sessions for The Old Man and the Sea at the Legion Hall. The soundtrack was later released in both stereo and mono by Columbia Records.
Reception
Bosley Crowther of The New York Times wrote:[3]
Credit Leland Hayward for trying something off the beaten track in making a motion-picture version of Ernest Hemingway's The Old Man and the Sea, and credit Spencer Tracy for a brave performance in its one big role. Also credit Dimitri Tiomkin for providing a musical score that virtually puts Mr. Tracy in the position of a soloist with a symphony. And that just about completes a run-down of the praiseworthy aspects of this film.
Among the film's shortcomings, Crowther notes, is that "an essential feeling of the sweep and surge of the open sea is not achieved in precise and placid pictures that obviously were shot in a studio tank. There are, to be sure, some lovely long shots of Cuban villages and the colorful coast...But the main drama, that of the ordeal, is played in a studio tank, and even some fine shots of a marlin breaking the surface and shaking in violent battle are deflated by obvious showing on the process screen."[3]
The film has been described as the "most literal, word-for-word rendition of a written story ever filmed".[6] Time noted that "the script follows the book in almost every detail", but called the novel a fable "no more suitable for the screen than The Love Song of J. Alfred Prufrock".[4] Time pointed out that Tracy was "never permitted to catch a marlin" while on location, so the "camera could never catch him at it" and the result is "Sturges must cross-cut so interminably—fish, Tracy, fish, Tracy—that Old Man loses the lifelikeness, the excitement, and above all the generosity of rhythm that the theme requires.[4]
According to producer Hayward, Hemingway was pleased with the film, and said it had "a wonderful emotional quality and [he] is very grateful and pleased with the transference of his material to the screen. He thought Tracy was great (in light of his quarrels with him this is quite a compliment) ... the photography was excellent ... the handling of the fishing and mechanical fish very good. Had some minor dislikes ... but all in all he was terribly high on the picture and pleased with it."[9] Hemingway was notorious for his dislike for most of the film adaptations of his stories, and in 1959, he implicitly disagreed with Hayward's assessment, stating that the only Hollywood adaptation of one of his stories that he liked was The Killers.[10]
See also
- List of American films of 1958
Notes
- Felipe Pazos Jr., who played the role of the boy in the film, is the son of the Cuban economist and revolutionary, Felipe Pazos.[citation needed]
References
- "Full Credits for The Old Man and the Sea (1958)". Turner Classic Movies. Retrieved January 17, 2010.
- "THE OLD MAN AND THE SEA (U)". British Board of Film Classification. March 27, 1958. Retrieved January 25, 2016.
- Crowther, Bosley (October 8, 1958). "Old Man and the Sea Stars Spencer Tracy". The New York Times. Retrieved January 17, 2010.
- "Cinema: Two with Tracy". Time. October 27, 1958. Archived from the original on February 4, 2013. Retrieved January 17, 2010.
- "AFI|Catalog".
- "Notes for The Old Man and the Sea (1958)". Turner Classic Movies. Retrieved January 17, 2010.
- Adele Conover (April 2000). "The Biggest One That Didn't Get Away". Smithsonian. Retrieved January 17, 2010.
- Inc, Nielsen Business Media (April 28, 1958). Billboard. Nielsen Business Media, Inc.
- Curtis, James (2011). Spencer Tracy: A Biography. London: Hutchinson. pp. 744-745. The notes for this page attribute the quotation as follows: "Leland Hayward as reported to Jack L. Warner by Steve Trilling, 3/10/58, Jack Warner Collection, University of Southern California."
- Jones, J. R. "How one Hemingway short story became three different movies". Chicago Reader. Retrieved October 29, 2019.
External links
Awards for The Old Man and the Sea |
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Blue Ribbon Award for Best Foreign Film |
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National Board of Review Award for Best Film |
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1932–1950 | |
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1951–1975 | |
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1976–2000 | |
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2001–present | |
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Bibliography |
Novels |
- The Torrents of Spring (1926)
- The Sun Also Rises (1926)
- A Farewell to Arms (1929)
- To Have and Have Not (1937)
- For Whom the Bell Tolls (1940)
- Across the River and into the Trees (1950)
- The Old Man and the Sea (1952)
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Non-fiction |
- Death in the Afternoon (1932)
- Green Hills of Africa (1935)
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Posthumous |
- A Moveable Feast (1964)
- Islands in the Stream (1970)
- The Dangerous Summer (1985)
- The Garden of Eden (1986)
- True at First Light (1999)
- Under Kilimanjaro (2005)
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Short stories |
- "Up In Michigan" (1921)
- "Indian Camp" (1924)
- "The Doctor and the Doctor's Wife" (1925)
- "The End of Something" (1925)
- "The Three-Day Blow" (1925)
- "The Battler" (1925)
- "A Very Short Story" (1925)
- "Soldier's Home" (1925)
- "The Revolutionist" (1925)
- "Mr. and Mrs. Elliot" (1925)
- "Cat in the Rain" (1925)
- "Out of Season" (1925)
- "Cross Country Snow" (1925)
- "My Old Man" (1925)
- "Big Two-Hearted River" (1925)
- "Today is Friday" (1926)
- "A Canary for One" (1927)
- "Fifty Grand" (1927)
- "Hills Like White Elephants" (1927)
- "The Killers" (1927)
- "The Undefeated" (1927)
- "Che Ti Dice La Patria?" (1927)
- "In Another Country" (1927)
- "Now I Lay Me" (1927)
- "A Simple Enquiry" (1927)
- "Ten Indians" (1927)
- "An Alpine Idyll" (1927)
- "A Pursuit Race" (1927)
- "On the Quai at Smyrna" (1930)
- "Fathers and Sons" (1932)
- "A Natural History of the Dead" (1932)
- "A Clean, Well-Lighted Place" (1933)
- "A Day's Wait" (1933)
- "The Gambler, the Nun, and the Radio" (1933)
- "A Way You'll Never Be" (1933)
- "The Snows of Kilimanjaro" (1936)
- "The Capital of the World" (1936)
- "The Short Happy Life of Francis Macomber" (1936)
- "Old Man at the Bridge" (1938)
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Short story collections |
- Three Stories and Ten Poems (1923)
- In Our Time (1925)
- Men Without Women (1927)
- Winner Take Nothing (1933)
- The Fifth Column and the First Forty-Nine Stories (1938)
- The Snows of Kilimanjaro (1961)
- The Fifth Column and Four Stories of the Spanish Civil War (1969)
- The Nick Adams Stories (1972)
- The Complete Short Stories of Ernest Hemingway (1987)
- Ernest Hemingway: The Collected Stories (1995)
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Story fragments | |
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Poetry |
- 88 Poems (1979)
- Complete Poems
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Plays |
- Today is Friday (1926)
- The Fifth Column (1938)
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Screenplays | |
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Letters and journalism |
- By-Line: Ernest Hemingway (1967)
- Ernest Hemingway: Selected Letters, 1917–1961 (1981)
- Dateline: Toronto (1985)
- The Cambridge Edition of the Letters of Ernest Hemingway (2011)
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Adaptations | The Sun Also Rises | |
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"The Killers" | |
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A Farewell to Arms | |
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To Have and Have Not | |
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For Whom the Bell Tolls | |
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The Old Man and the Sea | |
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Other film adaptations | |
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Homes |
- Birthplace and boyhood home
- Michigan cottage
- Hemingway-Pfeiffer House
- Key West home
- Hotel Ambos Mundos, Havana home
- Finca Vigía, Cuba home
- Idaho home
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Depictions | |
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Related |
- Nick Adams
- Pilar (boat)
- Iceberg theory
- Ernest Hemingway International Billfishing Tournament
- Maxwell Perkins
- Adriana Ivancich
- Hemingway Foundation/PEN Award
- Hello Hemingway (1990 film)
- Michael Palin's Hemingway Adventure (1999 documentary)
- Hemingway crater
- Kennedy Library Hemingway collection
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Family | |
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Authority control  | |
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На других языках
- [en] The Old Man and the Sea (1958 film)
[ru] Старик и море (фильм)
«Старик и море» (англ. The Old Man and the Sea) — кинофильм режиссёра Джона Стерджеса (1958), экранизация одноимённой повести Эрнеста Хемингуэя. Главную роль исполнил Спенсер Трейси.
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