Juan Nepomuceno Carlos Pérez Rulfo Vizcaíno, best known as Juan Rulfo (Spanish: [ˈxwan ˈrulfo] audio (help·info); 16 May 1917 – 7 January 1986[1]), was a Mexican writer, screenwriter, and photographer. He is best known for two literary works, the 1955 novel Pedro Páramo, and the collection of short stories El Llano en llamas (1953). This collection includes the popular tale "¡Diles que no me maten!" ("Tell Them Not to Kill Me!").

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Juan Rulfo
Born	Juan Nepomuceno Carlos Pérez Rulfo Vizcaíno 16 May 1917 San Gabriel, Jalisco, Mexico
Died	7 January 1986(1986-01-07) (aged 68) Mexico City, Mexico
Occupation	Writer, screenwriter, photographer
Notable works	El Llano en llamas (1953) Pedro Páramo (1955)

Early life

Rulfo was born in 1917 in Apulco, Jalisco (although he was registered at Sayula), in the home of his paternal grandfather.[1] Rulfo's birth year was often listed as 1918, because he had provided an inaccurate date to get into the military academy that his uncle, David Pérez Rulfo — a colonel working for the government — directed.[2][3]

After his father was killed in 1923 and his mother died in 1927, Rulfo's grandmother raised him in Guadalajara, Jalisco.[1] Their extended family consisted of landowners whose fortunes were ruined by the Mexican Revolution and the Cristero War of 1926–1928, a Roman Catholic revolt against the persecutions of Christians by the Mexican government, following the Mexican Revolution.[4]

Rulfo was sent to study in the Luis Silva School, where he lived from 1928 to 1932.[5] He completed six years of elementary school and a special seventh year from which he graduated as a bookkeeper, though he never practiced that profession.^{[citation needed]} Rulfo attended a seminary (analogous to a secondary school) from 1932 to 1934, but did not attend a university afterwards, as the University of Guadalajara was closed due to a strike and because Rulfo had not taken preparatory school courses.[1]

Rulfo moved to Mexico City, where he entered the National Military Academy, which he left after three months. He then hoped to study law at the Universidad Nacional Autónoma de México. In 1936, Rulfo was able to audit courses in literature at the University, because he obtained a job as an immigration file clerk through his uncle.[6]

Career

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It was at the University that Rulfo first began writing under the tutelage of a coworker, Efrén Hernández [es]. In 1944, Rulfo had co-founded the literary journal Pan.[7] Later, he was able to advance in his career and travel throughout Mexico as an immigration agent. In 1946, he started as a foreman for Goodrich-Euzkadi, but his mild temperament led him to prefer working as a wholesale traveling sales agent. This obligated him to travel throughout all of southern Mexico, until he was fired in 1952 for asking for a radio for his company car.^{[citation needed]}

Rulfo obtained a fellowship at the Centro Mexicano de Escritores, supported by the Rockefeller Foundation.^{[citation needed]} There, between 1952 and 1954, he was able to write two books.^{[citation needed]}

The first book was a collection of harshly realistic short stories, El Llano en llamas (1953). The stories centered on life in rural Mexico around the time of the Mexican Revolution and the Cristero War. Among the best-known stories are "¡Diles que no me maten!" ("Tell Them Not To Kill Me!"), a story about an old man, set to be executed, who is captured by order of a colonel, who happens to be the son of a man whom the condemned man had killed about forty years ago, the story contains echoes of the biblical Cain and Abel theme as well as themes critical to the Mexican Revolution such as land rights and land use; and "No oyes ladrar los perros" ("Don't You Hear the Dogs Barking(?)"), about a man carrying his estranged, adult, wounded son on his back to find a doctor.

The second book was Pedro Páramo (1955), a short novel about a man named Juan Preciado who travels to his recently deceased mother's hometown, Comala, to find his father, only to come across a literal ghost town ─ populated, that is, by spectral figures. Initially, the novel met with cool critical reception and sold only two thousand copies during the first four years; later, however, the book became highly acclaimed. Páramo was a key influence for Latin American writers such as Gabriel García Márquez. Pedro Páramo has been translated into more than 30 languages, and the English version has sold more than a million copies in the United States.^{[citation needed]}

The book went through several changes in name. In two letters written in 1947 to his fiancée Clara Aparicio, he refers to the novel he was writing as Una estrella junto a la luna (A Star Next to the Moon), saying that it was causing him some trouble.^{[citation needed]} During the last stages of writing, he wrote in journals that the title would be Los murmullos (The Murmurs). With the assistance of a grant from the Centro Mexicano de Escritores, Rulfo was able to finish the book between 1953 and 1954;^{[citation needed]} it was published in 1955.

In passages of the novel Pedro Páramo, the influence of American novelist William Faulkner is notorious, according to Rulfo's former friend, philologist Antonio Alatorre, in an interview with the latter made by journalists of Mexican newspaper El Universal in November 1998, which was published on 31 October 2010.[8]

Between 1956 and 1958, Rulfo worked on a novella entitled El gallo de oro [es] (The Golden Cockerel), which was not published until 1980. A revised and corrected edition was issued posthumously in 2010. The Fundación Rulfo possesses fragments of two unfinished novels, La cordillera and Ozumacín.[9] Rulfo told interviewer Luis Harss that he had written and destroyed an earlier novel set in Mexico City.[10]

From 1954 to 1957, Rulfo collaborated with "La comisión del rio Papaloapan", a government institution working on socioeconomic development of the settlements along the Papaloapan River. From 1962 until his death in 1986, he worked as editor for the National Institute for Indigenous People.

Personal life

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Rulfo married Clara Angelina Aparicio Reyes (Mexico City, 12 August 1928) in Guadalajara, Jalisco, on 24 April 1948; they had four children, Claudia Berenice (Mexico City, 29 January 1949), Juan Francisco (Guadalajara, Jalisco, 13 December 1950), Juan Pablo (México City, 18 April 1955) and Juan Carlos Rulfo (México City, 24 January 1964).

Legacy

Gabriel García Márquez has said that he felt blocked as a novelist after writing his first four books and that it was only his life-changing discovery of Pedro Páramo in 1961 that opened the way to the composition of his masterpiece, One Hundred Years of Solitude.[11] He noted that all of Rulfo's published writing, put together, "add up to no more than 300 pages; but that is almost as many and I believe they are as durable, as the pages that have come down to us from Sophocles".^{[citation needed]}

Jorge Luis Borges considered Pedro Páramo to be one of the greatest texts written in any language.[12][13]

The Juan Rulfo Foundation, which was established by Rulfo's family after his death,[14] holds more than 6,000 negatives of his photographs. A selection of Rulfo's photographs, accompanied by essays by Carlos Fuentes and others, has been published under the title of Juan Rulfo's Mexico.^{[citation needed]}

Books

• El llano en llamas (1953). Translated by George D. Schade as The Burning Plain (University of Texas, 1967); Ilan Stavans and Harold Augenbraum as The Plain in Flames (University of Texas, 2012); Stephen Beechinor as El Llano in Flames (Structo, 2019).
• Pedro Páramo (1955). Translated by Lysander Kemp (Grove Press, 1959) and Margaret Sayers Peden (Grove Press, 1994).
• El gallo de oro (1980; revised 2010). Translated by Douglas J. Weatherford as The Golden Cockerel & Other Writings (Deep Vellum, 2017).

Further reading

Spanish

• Lecturas rulfianas / Milagros Ezquerro, 2006
• Tríptico para Juan Rulfo: poesía, fotografía, crítica / Víctor Jiménez, 2006
• La recepción inicial de Pedro Páramo / Jorge Zepeda (Editorial RM-Fundación Juan Rulfo, México, 2005. ISBN 84-933036-7-4)
• Entre la cruz y la sospecha: los cristeros de Revueltas, Yáñez y Rulfo / Angel Arias Urrutia, 2005
• Estructura y discurso de género en Pedro Páramo de Juan Rulfo / Alba Sovietina Estrada Cárdenas, 2005
• Voces de la tierra: la lección de Rulfo / Felipe Garrido, 2004
• Mito y poesía en la obra de Juan Rulfo / María Luisa Ortega, 2004
• La ficción de la memoria: Juan Rulfo ante la crítica / Federico Campbell, 2003
• Juan Rulfo / Núria Amat, 2003
• Análisis de Pedro Páramo, Juan Rulfo / César Pérez P, 2003
• Homenaje a Juan Rulfo / Dante Medina, 2002
• Perfil de Juan Rulfo / Sergio López Mena, 2001
• Revisión crítica de la obra de Juan Rulfo / Sergio López Mena, 1998
• Juan Rulfo / Alberto Vital Díaz, 1998
• La sociedad en la obra de Juan Rulfo / Magdalena González Casillas, 1998
• Rulfo en su lumbre: y otros temas latinoamericanos / Jaime Mejía Duque, 1998
• Juan Rulfo, el eterno: caminos para una interpretación / Anita Arenas Saavedra, 1997
• Juan Rulfo: la naturaleza hostil / Antonio Aliberti, 1996
• Recopilación de textos sobre Juan Rulfo / La Habana, Cuba: Centro de Investigaciones Literarias, 1995
• Los caminos de la creación en Juan Rulfo / Sergio López Mena, 1994
• Juan Rulfo: la lengua, el tiempo y el espacio / Gustavo C Fares, 1994
• Juan Rulfo, del Páramo a la esperanza: una lectura crítica de su obra / Yvette Jiménez de Báez, 1994
• Juan Rulfo y el sur de Jalisco: aspectos de su vida y obra / Wolfgang Vogt, 1994
• El laberinto y la pena: ensayo sobre la cuentística rulfiana / Rafael José Alfonzo, 1992
• Imaginar Comala: el espacio en la obra de Juan Rulfo / Gustavo C Fares, 1991
• Rulfo y el dios de la memoria / Abel Ibarra, 1991
• Rulfo, dinámica de la violencia / Marta Portal, 1990

Photography

• Mexico: Juan Rulfo Fotógrafo, 2001: The Spanish language edition of his photographs with essays by the same authors as the volume above, but written in Spanish.
• Inframundo: El México de Juan Rulfo / 1st ed. 1980, 2nd ed. 1983 / Versions in Spanish and English with essays. Published in 1980/83 by Ediciones del Norte in Hanover, New Hampshire
• Juan Rulfo: Letras e imágenes, RM, 2002. The book is outlined in: https://web.archive.org/web/20110613163940/http://www.clubcultura.com/clubliteratura/clubescritores/juanrulfo/letrasimagenes01.htm
• http://www.guiarte.com/noticias/juan-rulfo-fotografo.html
• http://www.elpais.com/articulo/cultura/ojos/Pedro/Paramo/elpepuint/20070903elpepicul_2/Tes
• https://web.archive.org/web/20110519065034/http://elangelcaido.org/2005/11/200511jrulfo/200511jrulfoe.html

Notes

References

• Janney, Frank (ed.) (1984). Inframundo: The Mexico of Juan Rulfo. New York: Persea Books.
• Interview with Teresa Gómez Gleason, in: Juan Rulfo (1985). Jorge Ruffinelli, ed. Obra completa (2nd ed.). Fundación Biblioteca Ayacucho. p. 214.
• Soler Serrano, Joaquín, "Entrevista con Juan Rulfo" in A Fondo ( TV show ), RTVE2, April 17, 1977.

External links

Wikiquote has quotations related to Juan Rulfo.

• Works by or about Juan Rulfo in libraries (WorldCat catalog)
• ¡Diles que no me maten! – Sound recording of reading ¡Diles que no me maten! read by Juan Rulfo
• "Asombro por Juan Rulfo" – Transcription of a speech given by Gabriel García Márquez on the 50th anniversary of El Llano en llamas, 18 September 2002.

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[ru] Рульфо, Хуан