fiction.wikisort.org - ScreenwriterCharles William Brackett (November 26, 1892 – March 9, 1969) was an American novelist, screenwriter and film producer. He collaborated with Billy Wilder on sixteen films.
American novelist, screenwriter, and film producer
Charles William Brackett |
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 Brackett in 1942 |
Born | (1892-11-26)November 26, 1892
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Died | March 9, 1969(1969-03-09) (aged 76)
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Alma mater | Williams College |
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Occupation | Writer, screenwriter |
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Years active | 1925–1962 |
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Spouse(s) | Elizabeth Fletcher
(m. ; died )
Lillian Fletcher (m. 1953 ) |
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Children | 2 |
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Awards | Best Original Screenplay 1950 Sunset Boulevard 1953 Titanic Best Adapted Screenplay 1945 The Lost Weekend Academy Honorary Award 1959 Lifetime Achievement
WGA Award – Best Written Drama 1950 Sunset Boulevard |
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Life and career
| This section does not cite any sources. (January 2016) |
Brackett was born in Saratoga Springs, New York, the son of Mary Emma Corliss and New York State Senator, lawyer, and banker Edgar Truman Brackett. The family's roots traced back to the arrival of Richard Brackett in the Massachusetts Bay Colony in 1629, near present-day Springfield, Massachusetts. His mother's uncle, George Henry Corliss, built the Centennial Engine that powered the 1876 Centennial Exposition in Philadelphia. A 1915 graduate of Williams College, he earned his law degree from Harvard University. He joined the Allied Expeditionary Force during World War I. He was awarded the French Medal of Honor.[citation needed]
He was a frequent contributor to the Saturday Evening Post, Collier's, and Vanity Fair, and a drama critic for The New Yorker. He wrote five novels: The Counsel of the Ungodly (1920), Week-End (1925), That Last Infirmity (1926), American Colony (1929),[1] and Entirely Surrounded (1934).
Brackett was a president of the Screen Writers Guild (1938–1939) and for the Academy of Motion Picture Arts and Sciences (1949–1955). He either wrote and/or produced over forty films, including To Each His Own, Ninotchka, The Major and the Minor, The Mating Season (1951), Niagara, The King and I, Ten North Frederick, The Remarkable Mr. Pennypacker and Blue Denim.
Beginning in August 1936, Brackett worked with Billy Wilder, writing the film classics The Lost Weekend and Sunset Boulevard, both of which won Academy Awards for their respective screenplays. Brackett described their collaboration process as follows: "The thing to do was suggest an idea, have it torn apart and despised. In a few days it would be apt to turn up, slightly changed, as Wilder's idea. Once I got adjusted to that way of working, our lives were simpler."[2]
His partnership with Wilder ended in 1950 and Brackett went to work at 20th Century-Fox as a screenwriter and producer. His script for Titanic (1953) won him another Academy Award.
He received an Honorary Oscar for Lifetime Achievement in 1958.
Charles Brackett died on March 9, 1969.[3] His diaries covering his screenwriting and social life from 1932 to 1949 were edited by Anthony Slide into Slide's book It's the Pictures That Got Small: Charles Brackett on Billy Wilder and Hollywood's Golden Age.
Marriages
Brackett married Elizabeth Barrows Fletcher, a descendant of Stephen Hopkins of the Mayflower, on June 2, 1919. They had two daughters, Alexandra Corliss Brackett, Mrs. Larmore (1920–1965) and Elizabeth Fletcher Brackett (1922–1997). His wife died on June 7, 1948. In 1953, Brackett married Lillian Fletcher, the sister of his first wife. They had no children.[4]
Political views
Brackett was a Republican who voted for Alf Landon in 1936 and supported Barry Goldwater in the 1964 United States presidential election.[5]
Partial filmography
- Tomorrow's Love (1925) – based on a story Interlocutory
- Risky Business (1926) – based on a story Pearls Before Cecily
- Pointed Heels (1929) – based on a story [citation needed]
- Secrets of a Secretary (1931) – based on a story[6]
- College Scandal (1935) – writer
- Without Regret (1935) – writer
- The Last Outpost (1935) – writer
- Rose of the Rancho (1936) – writer
- Woman Trap (1936) – writer
- Piccadilly Jim (1936) – writer
- Live, Love and Learn (1937) – writer
- Bluebeard's Eighth Wife (1938)* – writer
- What a Life (1939)* – writer
- Ninotchka (1939)* – writer
- Arise, My Love (1940)* – writer
- Hold Back the Dawn (1941)* – writer
- Ball of Fire (1941)* – writer
- The Major and the Minor (1942)* – writer
- Five Graves to Cairo (1943)* – writer, producer
- The Uninvited (1944) – producer
- The Lost Weekend (1945)* – producer, writer
- To Each His Own (1946) – writer, producer
- The Bishop's Wife (1947) – uncredited writer
- A Foreign Affair (1948)* – writer, producer
- The Emperor Waltz (1948)* – writer, producer
- Miss Tatlock's Millions (1948) – writer, producer
- Sunset Boulevard (1950)* – writer, producer
- Edge of Doom (1950) – writer (uncredited)
- The Mating Season (1951) – writer, producer
- The Model and the Marriage Broker (1951) – writer, producer
- Niagara (1953) – writer, producer
- Titanic (1953) – writer, producer
- Woman's World (1954) – producer
- Garden of Evil (1954) – producer
- The Virgin Queen (1955) – producer
- The Girl in the Red Velvet Swing (1955) – writer, producer
- Teenage Rebel (1956) – writer, producer
- The King and I (1956) – producer
- D-Day the Sixth of June (1956) – producer
- The Wayward Bus (1957) – producer
- The Gift of Love (1958) – producer
- Ten North Frederick (1958) – producer
- The Remarkable Mr. Pennypacker (1959) – producer
- Blue Denim (1959) – producer
- Journey to the Center of the Earth (1959) – writer, producer
- High Time (1960) – producer
- State Fair (1962) – producer
("*" indicates collaboration with Wilder)
Awards and nominations
Academy Awards
References
- See Drewey Wayne Gunn, Gay American Novels, 1870–1970: A Reader's Guide (Jefferson, North Carolina: McFarland, 2016), 21-22.
- Brackett, Charles, It's the Pictures That Got Small, Columbia University Press, 2015, pg. 92
- "Charles Brackett Dies at 77; Made Oscar-Winning Movies. 'Sunset Boulevard,' 'The Lost Weekend' and 'Titanic' among his successes". The New York Times. March 10, 1969. Retrieved January 2, 2011.
Charles Brackett was born in Saratoga Springs, NY, and graduated in 1915 from Williams College, where he was editor of the literary monthly and a member of…
- Hopper, H. (December 27, 1953). "Charlie Brackett marries sister of his first wife". Los Angeles Times. ProQuest 166556164.
- Critchlow, Donald T. (October 21, 2013). When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics. ISBN 9781107650282.
- "Secrets of a Secretary". AFI Catalog of Featured Films. Retrieved November 16, 2020.
External links
Non-profit organization positions |
Preceded by |
President of Academy of Motion Pictures, Arts and Sciences 1949–1955 |
Succeeded by |
Awards for Charles Brackett |
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Academy Award for Best Original Screenplay |
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1940–1975 |
- Preston Sturges (1940)
- Herman J. Mankiewicz and Orson Welles (1941)
- Michael Kanin and Ring Lardner Jr. (1942)
- Norman Krasna (1943)
- Lamar Trotti (1944)
- Richard Schweizer (1945)
- Muriel Box and Sydney Box (1946)
- Sidney Sheldon (1947)
- No award (1948)
- Robert Pirosh (1949)
- Charles Brackett, D. M. Marshman Jr., and Billy Wilder (1950)
- Alan Jay Lerner (1951)
- T. E. B. Clarke (1952)
- Charles Brackett, Richard L. Breen, and Walter Reisch (1953)
- Budd Schulberg (1954)
- Sonya Levien and William Ludwig (1955)
- Albert Lamorisse (1956)
- George Wells (1957)
- Nathan E. Douglas and Harold Jacob Smith (1958)
- Clarence Greene, Maurice Richlin, Russell Rouse, and Stanley Shapiro (1959)
- I. A. L. Diamond and Billy Wilder (1960)
- William Inge (1961)
- Ennio de Concini, Pietro Germi, and Alfredo Giannetti (1962)
- James Webb (1963)
- S. H. Barnett, Peter Stone and Frank Tarloff (1964)
- Frederic Raphael (1965)
- Claude Lelouch and Pierre Uytterhoeven (1966)
- William Rose (1967)
- Mel Brooks (1968)
- William Goldman (1969)
- Francis Ford Coppola and Edmund H. North (1970)
- Paddy Chayefsky (1971)
- Jeremy Larner (1972)
- David S. Ward (1973)
- Robert Towne (1974)
- Frank Pierson (1975)
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1976–2000 | |
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2001–present | |
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Academy Award for Best Adapted Screenplay |
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1928–1950 |
- Benjamin Glazer (1928)
- Hanns Kräly (1929)
- Frances Marion (1930)
- Howard Estabrook (1931)
- Edwin J. Burke (1932)
- Victor Heerman and Sarah Y. Mason (1933)
- Robert Riskin (1934)
- Dudley Nichols (1935)
- Pierre Collings and Sheridan Gibney (1936)
- Heinz Herald, Geza Herczeg, and Norman Reilly Raine (1937)
- Ian Dalrymple, Cecil Arthur Lewis, W. P. Lipscomb, and George Bernard Shaw (1938)
- Sidney Howard (1939)
- Donald Ogden Stewart (1940)
- Sidney Buchman and Seton I. Miller (1941)
- George Froeschel, James Hilton, Claudine West, and Arthur Wimperis (1942)
- Philip G. Epstein, Julius J. Epstein, and Howard Koch (1943)
- Frank Butler and Frank Cavett (1944)
- Charles Brackett and Billy Wilder (1945)
- Robert Sherwood (1946)
- George Seaton (1947)
- John Huston (1948)
- Joseph L. Mankiewicz (1949)
- Joseph L. Mankiewicz (1950)
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1951–1975 | |
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1976–2000 | |
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2001–present | |
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Academy Honorary Award |
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1928–1950 |
- Warner Bros. / Charlie Chaplin (1928)
- Walt Disney (1932)
- Shirley Temple (1934)
- D. W. Griffith (1935)
- The March of Time / W. Howard Greene and Harold Rosson (1936)
- Edgar Bergen / W. Howard Greene / Museum of Modern Art Film Library / Mack Sennett (1937)
- J. Arthur Ball / Walt Disney / Deanna Durbin and Mickey Rooney / Gordon Jennings, Jan Domela, Devereaux Jennings, Irmin Roberts, Art Smith, Farciot Edouart, Loyal Griggs, Loren L. Ryder, Harry D. Mills, Louis Mesenkop, Walter Oberst / Oliver T. Marsh and Allen Davey / Harry Warner (1938)
- Douglas Fairbanks / Judy Garland / William Cameron Menzies / Motion Picture Relief Fund (Jean Hersholt, Ralph Morgan, Ralph Block, Conrad Nagel)/ Technicolor Company (1939)
- Bob Hope / Nathan Levinson (1940)
- Walt Disney, William Garity, John N. A. Hawkins, and the RCA Manufacturing Company / Leopold Stokowski and his associates / Rey Scott / British Ministry of Information (1941)
- Charles Boyer / Noël Coward / Metro-Goldwyn-Mayer (1942)
- George Pal (1943)
- Bob Hope / Margaret O'Brien (1944)
- Republic Studio, Daniel J. Bloomberg, and the Republic Studio Sound Department / Walter Wanger / The House I Live In / Peggy Ann Garner (1945)
- Harold Russell / Laurence Olivier / Ernst Lubitsch / Claude Jarman Jr. (1946)
- James Baskett / Thomas Armat, William Nicholas Selig, Albert E. Smith, and George Kirke Spoor / Bill and Coo / Shoeshine (1947)
- Walter Wanger / Monsieur Vincent / Sid Grauman / Adolph Zukor (1948)
- Jean Hersholt / Fred Astaire / Cecil B. DeMille / The Bicycle Thief (1949)
- Louis B. Mayer / George Murphy / The Walls of Malapaga (1950)
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1951–1975 | |
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1976–2000 | |
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2001–present | |
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Laurel Award for Screenwriting Achievement |
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1950s | |
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1960s | |
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1970s | |
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1980s | |
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1990s | |
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2000s | |
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2010s | |
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2020s | |
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Authority control  |
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General | |
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National libraries | |
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Biographical dictionaries | |
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Other | |
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