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Ricarda Huch (German: [huχ]; 18 July 1864 – 17 November 1947) was a pioneering German intellectual. Trained as an historian, and the author of many works of European history, she also wrote novels, poems, and a play. Asteroid 879 Ricarda is named in her honour. She was nominated for the Nobel Prize in Literature seven times.[1]

Ricarda Huch
Ricarda Huch by Wanda von Debschitz-Kunowski
Born18 July 1864 
Braunschweig 
Died17 November 1947  (aged 83)
OccupationWriter 
Awards

Early life and education


Huch was born in Braunschweig to Marie Louise and Georg Heinrich Huch in 1864. The Huchs were a well off merchant family. Her brother Rudolf and cousins Friedrich and Felix were writers. While living with her family in Braunschweig, she corresponded with Ferdinand Tönnies.[2]

Because German universities did not allow women to graduate, Huch left Braunschweig in 1887 and moved to Zurich to take the entrance examinations for the University of Zurich. She matriculated into a PhD program in history and received her doctorate in 1892 for a dissertation on "The neutrality of the Confederation during the Spanish War of Succession" (Die Neutralität der Eidgenossenschaft während des spanischen Erbfolgekrieges). While at the University of Zurich, she established lasting friendships with Marie Baum, Hedwig Bleuler-Waser and Marianne Plehn, who like her had come to Zurich to study.[3]

After receiving her doctorate she found employment at the Zurich public library. In 1896 she taught at a girls' school in Bremen.[3]


Early publications and historic studies


In the 1890s Huch published her first poems and stories. In 1892 her first novel was published Erinnerungen von Ludolf Ursleu dem Jüngeren.[3] In 1897 Huch moved to Vienna to research Romanticism. In Vienna she met the Italian dentist Ermanno Ceconi, whom she married in 1898. In 1899 she gave birth to their daughter Marietta.[3]

In 1899 the first volume of her two volume study on German Romanticism was published, Blütezeit der Romantik. The book launched Huch as contributor to the contemporary cultural discourse in Germany and established her reputation as a historian.[3] Ausbreitung und Verfall der Romantik was published in 1902. Huch argued that German Romanticism went through a period of blossoming and a later period of decay. She argued that August Wilhelm Schlegel, Karl Wilhelm Friedrich Schlegel, Friedrich von Hardenberg, Wilhelm Heinrich Wackenroder and Ludwig Tieck were exponents of early German Romanticism. In this blossoming period utopian thinking and a striving for balance between reason and fantasy, mind and body, culminated in the idea that human perfectibility was a task for everyone. Huch identifies late German Romanticism with a leaning towards simplistic folklore, myth and self-destructive tendencies. She counts Zacharias Werner, Clemens Brentano, Achim von Arnim, Bettina von Arnim and Justinus Kerner among the late and decadent Romantics.[4] Huch lamented the aspirituality and technocentrism of her own day and expressed the hope that after the rejection of Romanticism in the first half of the 19th century the intellectual achievements of Romanticism would be regenerated. Huch emphasised the role of women in early German Romanticism, pointing to the writings of Caroline Schelling, Dorothea von Schlegel, Karoline von Günderrode, Rahel Levin, Bettina von Arnim and Dorothea von Rodde-Schlözer.[5]

Huch's historical research was challenged by her contemporaries. While her meticulous research was admired and her breath of vision was honoured, she was criticised for poetic imagination. In her days historians would interpret the meaning of historic documents. While Huch focused on conjuring up images by describing contents, symbolism, colour and moods to invoke the world view of a historic period. Her contemporary Toni Wolff identified Huch as medial historian who had the ability to “evoke historical situations and persons”. This caused bewilderment among her contemporaries, who were used to thinking of history as big events, military campaigns and great men. Instead Huch presented the historic facts and drew character studies of the individuals, with their failures and triumphs. In her historic studies she also charted the lives of ordinary people, such as monks, society ladies and children.[6]

Huch and her husband moved to Trieste and then to Munich. In the early 1900 the couple divorced, though Huch remained close to Ceconi.[3] In 1903 Huch's novel Vita somnium breve was published, which was retitled and republished in 1913 as Michael Unger. In 1906 her treatise on Gottfried Keller Die Geschichte von Garibaldi was published. A volume with poetry followed in 1907.[7] In the same year Huch married her cousin Richard Huch, who had divorced from her sister in 1907.[7] In 1908 she published a treatise on the Italian unification Aus dem Zeitalter des Risorgimento.[7]


Publications during World War I


Wallenstein depicted as Mars, the God of war, riding the sky in a chariot pulled by four horses. Ceiling decoration in the main hall of the Wallenstein Palace
Wallenstein depicted as Mars, the God of war, riding the sky in a chariot pulled by four horses. Ceiling decoration in the main hall of the Wallenstein Palace
Ricarda Huch; 1916, by the sculptor, Paul Peterich
Ricarda Huch; 1916, by the sculptor, Paul Peterich

In 1914 Huch celebrated her fiftieth birthday, three weeks after the assassination of Franz Ferdinand in Sarajevo, her final volume of her trilogy on the Thirty Years' War had just been completed. This trilogy solidified her reputation as one of Germany's foremost historians. During the first years of the World War I Huch lived in Munich.[7] 1915 Huch's character study of Albrecht von Wallenstein was published, Wallenstein - Eine Charakterstudie. In it she chronicled Wallenstein's attempt to renew and unify Germany out of the Holy Roman Empire, which she termed a “degenerate and decadent” Reich. After World War I Huch's interpretation of regenerating Germany through war and violent revolution resonated among nationalists in the defeated Germany.[8]

In 1916 she moved to Switzerland, but returned to Munich in 1918 just before the German Empire collapsed. During the war she had also published Natur und Geist in 1914 and Luthers Glaube in 1916. Just after the war she published Der Sinn der heiligen Schrift in 1919.[7] In her early autobiographical writings Huch had expressed a Lutheran faith combined with a Goethean view of history and the community. In Luthers Glaube she established counter arguments to modern scepticism, emphasising that Martin Luther was a great man of faith rather than the founder of a new church. While Huch emphasised the importance of the home country, and family values, she regarded change as inevitable and valued individuality above all else. Her books on religious and philosophical history conveyed a joined-up view of human beings, human life and history.[9]


Publications during the Weimar Republic


In the early years of the Weimarer Republik Huch published Entpersönlichung in 1921. In 1924 she published a study on the anarchist Michael Bakunin entitled Michael Bakunin und die Anarchie. Her study of the Prussian reformer Heinrich Friedrich Karl vom und zum Stein entitled Stein was published 1925.[7] In 1927 she published in three volumes geographical essays of German cities Im alten Reich. Lebensbilder deutscher Städte. In these essays she describes the structure of old cities, their buildings and important historic events. Huch stressed the particularity of urban organisms and the communal spirit cities generated. Huch also examined the Medieval commune and charted the development of self-governing communities based on personal involvement and solidarity. Huch had first examined the idea of self-reliant communities, which she contrasted to what she perceived as artificial modern societies, in her biography of Bakunin.[9]

In 1927 Huch, her daughter and her son-in-law Franz Böhm moved to Berlin. In 1931 Huch was awarded the Goethe Prize.[10] She was the first woman that was invited to join the Preußische Akademie der Künste (Prussian Academy of Arts).[11] In 1930 her treatise on the German revolutions of 1848–49 was published under the title Alte und neue Götter (1848). Die Revolution des 19. Jahrhunderts in Deutschland.[7]


Publications during the Third Reich


When the Nazis seized power in 1933 and proclaimed the German Dritte Reich, she resigned in protest from the Prussian Academy of Arts.[10] Huch and other members of the academy had in March 1933 received a letter from the president of the Prussian Academy of Arts, Max von Schillings, asking them to sign a declaration drafted by Gottfried Benn, declaring their loyalty to the new government. A public and infamous exchange of letters between Huch and Schillings followed. Huch refused to sign. Schillings responded, expressing the hope that the academy could count on her support and her continuous membership. Huch responded, saying that she will not forego her right to freedom of expression and asked Schillings whether her refusal to sign the declaration will inevitably lead to her exclusion from the academy. Schillings replied that the academy is merely asking its members to not publicly oppose the new government. Schillings also pointed out that if she resigned, she would be in the company of Heinrich Mann who had resigned from the academy to mount an unsuccessful attempt of mobilising a social democratic alliance against the NSDAP during the March 1933 elections. Schillings argued that this could not be her wish, since she had in her writings clearly expressed nationalist views (although Huch’s nationalism was of the liberal variety).[12] Huch responded, saying that it is natural for a German to feel German, but that she condemned the Nazis' strong-arm tactics, brutal centralization and intimidation of those with other opinions. Huch called the Nazis' tactics un-German, defended her right to freedom of expression and noted that she was not in agreement with the Nazi doctrine.[13]

Huch remained in Berlin and researched early German history, starting with Charles the Great. In 1934 she published the first volume of her trilogy on medieval Germany social history, focusing on various medieval political, social and religious institutions. Römisches Reich Deutscher Nation was followed by Das Zeitalter der Glaubensspaltung in 1937. Huch idealized medieval German culture, and passed comment on leadership, justice and Jews in Germany. Her views were an open challenge to the Nazi doctrine on Germanic culture and its roots.[14] Her son-in-law Böhm was forced out of the public service by the Nazis. In 1936 Huch together with her daughter, Böhm and their son, moved to Jena. Böhm was able to secure a teaching contract with Jena University, but in 1937 he and Huch were accused of sedition because the two had defended the intellectual capacities of Jews at a dinner party. While neither of the two were convicted, Böhm could not maintain his teaching position. During World War II Böhm moved to Freiburg and later to Frankfurt, while Huch and her daughter remained in Jena.[10]


Publications and work in the post-war period


When Jena was to become part of the Soviet zone of occupation Huch fled to West Germany[15] and settled in Frankfurt. She began work on a book celebrating members of the German resistance to Nazism.[10] In March 1946, 13 years after her resignation from the Prussian Academy of Arts she published a public appeal in Germany's daily newspapers asking for help in compiling biographical information on those who had sacrificed their lives to resist the Nazi terror. She reasoned that this ultimate sacrifice had helped all Germans to retain a grain of human dignity during a period of near boundless brutality. Huch argued that those who had resisted allowed all humans to rise from the swamp of everyday routine, light the spark for the fight against the bad and maintain the belief in the noble godliness of humanity.[16]

Huch was the honorary president of the 1947 German Writers' Congress in Frankfurt. She died at the age of 83 in November 1947, her book on the German resistance remained unfinished.[10]


Legacy


Professor Frank Trommler, University of Pennsylvania, in his study of the German literature elite during the Third Reich argues that Huch, along with Ernst Wiechert, Werner Bergengruen, Reinhold Schneider, Albrecht Haushofer and Friedrich Reck-Malleczewen, took a courageous stand on issues such as the suppression of freedom, the fight against tyranny, the longing for privacy and the simple life. Their reputation was grounded in their ability to articulate their opinions and in doing so authors like Huch shaped the political and cultural transformation in Germany after the demise of the Third Reich. These authors were closely observed by Nazi authorities because they were widely read by the German middle-class.[17]

Huch was in her 70s when the Nazi seized power, and unlike authors such as Thomas Mann who first fled into ‘‘inner emigration‘‘ and then went into exile, she took a stand against the Nazi doctrine from the outset. Huch continued to live in Germany, made no attempt to conceal her convictions and published in Germany through Swiss publishers. In 1934 Mann wrote of his intellectual struggle against the powers that be "Getting through it and maintaining one’s own personal dignity and liberty is everything."[18] When Alfred Andersch assessed German literary output during the Nazi reign in 1947 he categorised Huch alongside Gerhart Hauptmann, Rudolf Alexander Schröder, Hans Carossa and Gertrud von Le Fort as older and established poets who had stayed in Germany and upheld a tradition of "bourgeois classicism". Andersch counted the poets Stefan Andres, Horst Lange, Hans Leip, Martin Raschke and Eugen Gottlob Winkler among the younger generation who stayed in Germany and contributed to the resistance against Nazi authorities with their literary work.[19] After the second world war Thomas Mann honoured Huch as "the first lady of German letters".[11]


Publications by Huch



References


  1. "Nomination Database". www.nobelprize.org. Retrieved 2017-04-19.
  2. James Martin Skidmore (2005). The Trauma of Defeat: Ricarda Huch's Historiography During the Weimar Republic. Peter Lang. pp. 21. ISBN 9783039107605.
  3. James Martin Skidmore (2005). The Trauma of Defeat: Ricarda Huch's Historiography During the Weimar Republic. Peter Lang. pp. 22. ISBN 9783039107605.
  4. Nicholas Saul (2009). The Cambridge Companion to German Romanticism. Cambridge University Press. pp. 22–23. ISBN 9781139827539.
  5. Nicholas Saul (2009). The Cambridge Companion to German Romanticism. Cambridge University Press. pp. 134–135. ISBN 9781139827539.
  6. Leslie Gardner & Frances Gray (2016). Feminist Views from Somewhere: Post-Jungian Themes in Feminist Theory. Taylor & Francis. pp. 32–33. ISBN 9781317484486.{{cite book}}: CS1 maint: uses authors parameter (link)
  7. James Martin Skidmore (2005). The Trauma of Defeat: Ricarda Huch's Historiography During the Weimar Republic. Peter Lang. pp. 23. ISBN 9783039107605.
  8. Kevin Cramer (2007). The Thirty Years' War and German Memory in the Nineteenth Century. University of Nebraska Press. p. 228. ISBN 9780803206946.
  9. Tracy Chevalier (2012). Encyclopedia of the Essay. Routledge. p. 408. ISBN 9781135314101.
  10. James Martin Skidmore (2005). The Trauma of Defeat: Ricarda Huch's Historiography During the Weimar Republic. Peter Lang. pp. 24. ISBN 9783039107605.
  11. Leslie Gardner & Frances Gray (2016). Feminist Views from Somewhere: Post-Jungian Themes in Feminist Theory. Taylor & Francis. p. 32. ISBN 9781317484486.{{cite book}}: CS1 maint: uses authors parameter (link)
  12. Forner, Sean A. (2017-03-23). German Intellectuals and the Challenge of Democratic Renewal: Culture and Politics After 1945. Cambridge University Press. ISBN 978-1-107-62783-3.
  13. James Martin Skidmore (2005). The Trauma of Defeat: Ricarda Huch's Historiography During the Weimar Republic. Peter Lang. pp. 83–85. ISBN 9783039107605.
  14. James Martin Skidmore (2005). The Trauma of Defeat: Ricarda Huch's Historiography During the Weimar Republic. Peter Lang. pp. 123. ISBN 9783039107605.
  15. Leslie Gardner & Frances Gray (2016). Feminist Views from Somewhere: Post-Jungian Themes in Feminist Theory. Taylor & Francis. p. 34. ISBN 9781317484486.{{cite book}}: CS1 maint: uses authors parameter (link)
  16. James Martin Skidmore (2005). The Trauma of Defeat: Ricarda Huch's Historiography During the Weimar Republic. Peter Lang. pp. 133. ISBN 9783039107605.
  17. Neil H. Donahue; Doris Kirchner, eds. (2005). Flight of Fantasy: New Perspectives on Inner Emigration in German Literature, 1933-1945. Berghahn Books. p. 144. ISBN 9781571810021.
  18. Neil H. Donahue; Doris Kirchner, eds. (2005). Flight of Fantasy: New Perspectives on Inner Emigration in German Literature, 1933-1945. Berghahn Books. p. 33. ISBN 9781571810021.
  19. Neil H. Donahue; Doris Kirchner, eds. (2005). Flight of Fantasy: New Perspectives on Inner Emigration in German Literature, 1933-1945. Berghahn Books. p. 217. ISBN 9781571810021.



На других языках


- [en] Ricarda Huch

[es] Ricarda Huch

Ricarda Octavia Huch (Braunschweig, 18 de julio de 1864 - Schönberg im Taunus, hoy parte de Kronberg, 17 de noviembre de 1947) fue una poeta, filósofa e historiadora alemana.

[fr] Ricarda Huch

Ricarda Huch (née le 18 juillet 1864 à Brunswick et morte le 17 novembre 1947 à Schönberg-im-Taunus, auj. faubourg de Kronberg) est une historienne et poétesse allemande qui s'est surtout intéressée à l'histoire des périodes révolutionnaires. Elle publiait ses livres sous le pseudonyme de Richard Hugo. L’œuvre littéraire de Ricarda Huch est extrêmement variée, tant du point de vue thématique (poésie, romans, essais historiques) que stylistique. Elle débuta dans la veine poétique, écrivit ensuite de plus en plus de romans et d'essais historiques.

[ru] Хух, Рикарда

Рикарда Хух (нем. Ricarda Huch; 18 июля 1864 (1864-07-18), Брауншвейг — 17 ноября 1947, Кронберг) — немецкая писательница, поэтесса, философ и историк.



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